Overview

'The quality that makes Fo uniquely powerful ... [is] the ability to wring wild laughter out of insidious corruption' Guardian 'Simon Nye's witty translation updates and relocates the play ... suitably close to contemporary England. Fo is that rare thing, a far-left playwright with a popular, comic touch. And his stinging attack upon the black arts of government cover-up, manipulation and mendacity could not be more timely' Evening Standard In its first two years of production, Dario Fo's controversial farce, Accidental Death of an Anarchist, was seen by over half a million people. It has since been performed all over the world and is widely recognised as a classic of modern drama. A sharp and hilarious satire on political corruption, it concerns the case of an anarchist railway worker who, in 1969, 'fell' to his death from a police headquarters window. This version of the play was premiered at the Donmar Warehouse, London, in February 2003. Commentary and notes by Joseph Farrell.

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The quality that makes Fo uniquely powerful [is] the ability to wring wild laughter out of insidious corruption. Guardian Simon Nye's witty translation updates and relocates the play suitably close to contemporary England. Fo is that rare thing, a far-left playwright with a popular, comic touch. And his stinging attack upon the black arts of government cover-up, manipulation and mendacity could not be more timely. Evening Standard

<p> The quality that makes Fo uniquely powerful [is] the ability to wring wild laughter out of insidious corruption. &#8212; Guardian <p> Simon Nye's witty translation updates and relocates the play suitably close to contemporary England. Fo is that rare thing, a far-left playwright with a popular, comic touch. And his stinging attack upon the black arts of government cover-up, manipulation and mendacity could not be more timely. &#8212; Evening Standard

<p> The quality that makes Fo uniquely powerful [is] the ability to wring wild laughter out of insidious corruption. -- Guardian <p> Simon Nye's witty translation updates and relocates the play suitably close to contemporary England. Fo is that rare thing, a far-left playwright with a popular, comic touch. And his stinging attack upon the black arts of government cover-up, manipulation and mendacity could not be more timely. -- Evening Standard

The quality that makes Fo uniquely powerful [is] the ability to wring wild laughter out of insidious corruption. -- Guardian Simon Nye's witty translation updates and relocates the play suitably close to contemporary England. Fo is that rare thing, a far-left playwright with a popular, comic touch. And his stinging attack upon the black arts of government cover-up, manipulation and mendacity could not be more timely. -- Evening Standard

The quality that makes Fo uniquely powerful [is] the ability to wring wild laughter out of insidious corruption. --Guardian Simon Nye's witty translation updates and relocates the play suitably close to contemporary England. Fo is that rare thing, a far-left playwright with a popular, comic touch. And his stinging attack upon the black arts of government cover-up, manipulation and mendacity could not be more timely. --Evening Standard

Author Information

Joseph Farrell is Senior Lecturer in Italian Studies at the University of Strathclyde. He has written on and translated Italian theatre widely. He is theatre reviewer for The Scotsman, as well as the author of Dario Fo and France Rame: Harlequins of the Revolution (Methuen, 2001), and has edited A History of Italian Theatre (CUP, 2006) as well as Methuen Student editions of Six Characters in Search of an Author and Accidental Death of an Anarchist. For over thrity years Dario Fo, oftern in collaboration with his wife Franca Rame, has led the field in political satire in Europe. Outside Italy, Fo's comedies are often adapted to reflect local political conditions, but the essence remains the same. Capitalism, imperialism and corruption within government are typical targets for hilarious, ideologically-inspired attacks on the establishment. Drawing on all forms of popular theatre, Fo's international reputation as an actor, mime and director equals that of his writing. He was awarded the Nobel Prize for Literature in 1997.

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