Overview

Taking a radically new approach to the history of abstract painting, Pepe Karmel applies a scholarly yet fresh vision to reconsider the history of abstraction from a global perspective and to demonstrate that abstraction is embedded in the real world. Moving beyond the orthodox canonical terrain of abstract art, he surveys artists from across the globe, examining their work from the point of view of content rather than form. Previous writers have approached the history of abstraction as a series of movements solving a series of formal problems. In contrast, Karmel focuses on the subject matter of abstract art, showing how artists have used abstract imagery to express social, cultural and spiritual experience. An introductory discussion of the work of the early modern pioneers of abstraction opens up into a completely new approach to abstract art based around five inclusive themes - the body, the landscape, the cosmos, architecture, and the repertory of man-made signs and patterns - each of which has its own chapter. Starting from a figurative example, Karmel works outwards to develop a series of narratives that go far beyond the established figures and movements traditionally associated with abstract art. Each narrative is complemented by a number of 'featured' abstract works, which provide an in-depth illustration of the breadth of Karmel's distinctive vision. A wide-ranging examination of topics - from embryos to the surface of skin, from vortexes to waves, planets to star charts, towers to windows - is interwoven with detailed analysis of works by established figures like Joan Miró and Jackson Pollock alongside pieces by lesser-known artists such as Wu Guanzhong, Hilma af Klint and Odili Donald Odita.

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9780500239582

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Reviews

[An] innovative reevaluation... Brilliantly conceived and handsomely designed, Karmel's fluent and creative history redefines abstraction in terms of its vibrant and evocative range of styles, subjects, and expression.--Booklist Abstraction is just as relevant and important today as it was [in the past]... Karmel argues for its durability and broadens its cast by spotlighting earlier figures who have been overlooked and others who are carrying abstraction into the future.--ARTnews Brilliantly innovative.--David Carrier - The Brooklyn Rail Karmel's originality and literary skill are praiseworthy... This book is a godsend.--Hyperallergic

[An] innovative reevaluation... Brilliantly conceived and handsomely designed, Karmel's fluent and creative history redefines abstraction in terms of its vibrant and evocative range of styles, subjects, and expression.--Booklist Abstraction is just as relevant and important today as it was [in the past]... Karmel argues for its durability and broadens its cast by spotlighting earlier figures who have been overlooked and others who are carrying abstraction into the future.--ARTnews Brilliantly innovative.--David Carrier - The Brooklyn Rail Karmel's originality and literary skill are praiseworthy... This book is a godsend.--Hyperallergic Brilliantly innovative.--David Carrier

Brilliantly innovative.--David Carrier Karmel's originality and literary skill are praiseworthy... This book is a godsend.

'Handsomely illustrated' - Best Art Books of 2020, Sunday Times 'Karmel approaches the field not as a steady tunnelling toward nothingness, as figures and other discernible objects fell away, but as something more dynamic - and much less white, Western, and male' - Vogue.com

[An] innovative reevaluation... Brilliantly conceived and handsomely designed, Karmel's fluent and creative history redefines abstraction in terms of its vibrant and evocative range of styles, subjects, and expression. Abstraction is just as relevant and important today as it was [in the past]... Karmel argues for its durability and broadens its cast by spotlighting earlier figures who have been overlooked and others who are carrying abstraction into the future. Brilliantly innovative.--David Carrier Karmel's originality and literary skill are praiseworthy... This book is a godsend.

Author Information

Pepe Karmel received his B.A. from Harvard College and his Ph.D. from the Institute of Fine Arts, New York University, and now teaches in the Department of Art History, New York University. He is the author of Picasso and the Invention of Cubism, and has written for publications including Art in America and The New York Times. Karmel has also curated or co-curated numerous exhibitions.

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