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OverviewThis book analyzes practices of collecting in European art museums from 1989 to the present, arguing that museums actualize absence both consciously and unconsciously, while misrepresentation is an outcome of the absent perspectives and voices of minority community members which are rarely considered in relation to contemporary art. Difficult knowledge is proposed as a way of dealing with absence productively. Drawing on social art history, museology, postcolonial theory, and memory studies, Margaret Tali analyzes the collections of four modern and contemporary art museums across Europe: the Hamburger Bahnhof in Berlin, the Ludwig Museum of Contemporary Art in Budapest, the Kiasma Museum in Helsinki, and the Kumu Museum in Tallinn. Full Product DetailsAuthor: Margaret TaliPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.317kg ISBN: 9780367787110ISBN 10: 0367787113 Pages: 174 Publication Date: 31 March 2021 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction Chapter 1: The Presence of Joseph Beuys and the Struggle Over his Legacy in Berlin Chapter 2: Absencing and Presencing in Exhibition Narratives Chapter 3: Collectors’ Space and the Agents of Narration Chapter 4: The Ludwig Collection in Budapest and the Absent Eastern Europe Chapter 5: Interrogating the Archival Logic Chapter 6: Archival Absence Afterword: Turning Absence into Difficult KnowledgeReviewsAuthor InformationMargaret Tali is Lecturer in Visual Art and Culture at Maastricht University. Tab Content 6Author Website:Countries AvailableAll regions |