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Reviews

Artist-scholar Nguyen Tan Hoang's dexterous unpacking of a Hollywood classic, the oeuvre of a gay Asian American porn star, an international art house film, videos by gay Asian artists and the self-representation of online sex sites challenged me to radically rethink the terms and stakes for reconsidering the representation of Asian American masculinity. A profoundly insightful and provocative book.

Artist-scholar Nguyen Tan Hoang's dexterous unpacking of a Hollywood classic, the oeuvre of a gay Asian American porn star, an international art house film, videos by gay Asian artists and the self-representation of online sex sites challenged me to radically rethink the terms and stakes for reconsidering the representation of Asian American masculinity. A profoundly insightful and provocative book. --Richard Fung (01/27/2014)

Nguyen Tan Hoang's exciting book is a compelling account of the aesthetic, political, and queer possibilities of racialized forms of 'bottomhood.' As someone who has been writing about masochism and passivity in relation to queer feminisms for a while, I realize that this is the book I have needed in sorting through the complex forms of personhood, pleasure, and power that bottomhood braids into the meanings of race, nation, and sexuality. --Jack Halberstam, author of The Queer Art of Failure (01/23/2014)

Author Information

Nguyen Tan Hoang is Assistant Professor of English and Film Studies at Bryn Mawr College. He is also a videomaker whose works include K.I.P, Forever Bottom!, PIRATED! and look_im_azn.  His videos have been screened at the Museum of Modern Art, The Getty Center, and the Centre Pompidou.  

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