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9781478016205

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Grant's evocative writing delineates the affective contours of collective art participation, and she vividly transports the reader with her on various expeditions - to an outdoor group performance in a wintry Trafalgar Square, to cacophonous choral readings of feminist texts or sitting alone on the last quiet days of a gallery exhibition. One of the true pleasures of the volume is its deep attentiveness to the textures, materials and experience of works of art, interwoven with the author's compelling account of how cultural encounters strengthened her feminist consciousness. -- Victoria Horne * Burlington Contemporary *

""Grant’s evocative writing delineates the affective contours of collective art participation, and she vividly transports the reader with her on various expeditions – to an outdoor group performance in a wintry Trafalgar Square, to cacophonous choral readings of feminist texts or sitting alone on the last quiet days of a gallery exhibition. One of the true pleasures of the volume is its deep attentiveness to the textures, materials and experience of works of art, interwoven with the author’s compelling account of how cultural encounters strengthened her feminist consciousness.""   -- Victoria Horne * Burlington Contemporary * ""Grant’s writing opens avenues for imagining possible feminist pasts, presents, and futures."" -- Julia Alting * Trigger * “An original, associative and compelling account of archival fever and fandom in feminist practice … An exemplar for the ways we can, and should, learn together.” -- Susannah Thompson * Art History *

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Catherine Grant is a Reader at the Courtauld Institute of Art, London, and coeditor of Fandom as Methodology and Creative Writing and Art History.

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