Overview

The Gospel Coaltion Award of Distinction-Arts and Culture ECPA Top Shelf Award Winner For practitioners and fans, jazz expresses the deepest meanings of life. Its rich history and its distinctive elements like improvisation and syncopation unite to create an unrepeatable and inexpressible aesthetic experience. But for others, jazz is an enigma. Might jazz be better appreciated and understood in relation to the Christian faith? In this volume, theologian and jazz pianist William Edgar argues that the music of jazz cannot be properly understood apart from the Christian gospel, which like jazz moves from deep lament to inextinguishable joy. By tracing the development of jazz, placing it within the context of the African American experience, and exploring the work of jazz musicians like Miles Davis, Duke Ellington, John Coltrane, Ella Fitzgerald, and Louis Armstrong, Edgar argues that jazz deeply resonates with the hope that is ultimately found in the good news of Jesus Christ. Grab a table. The show is about to begin.

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9781514000663

Table of Contents

Reviews

William Edgar's A Supreme Love stands as something of a tour through the story of jazz and all that has shaped and informed it. After a solid introductory chapter called 'Jazz and the Gospel, ' Edgar takes the reader through a tour of slavery, the churches, the spirituals, the blues, gospel, and all the social, religious, and musical forces that coalesced in the development of jazz-a tour that runs for nearly half his book. But that's Edgar's way, as he doesn't want to rush too quickly past all those formative voices and influences, such that when he arrives at the point where jazz music begins to be formed, the reader is ready to roll. Newcomers to this music will find a deep and useful introduction to the music, with footnotes filled with links to online samples. Jazz fans will enjoy the tour, quibbling from time to time as to why this artist or that album wasn't cited . . . which is something jazz fans love to do! Read and be enriched. Jamie Howison, author of God's Mind in That Music: Theological Explorations Through the Music of John Coltrane In my musician mind there has always been a deep connection between jazz, musical improvisation, and the disciple life. To risk the creation of improvised music armed with only imagination and talent is to dive right in to the center of grace. It's in the grace of God through Jesus that the musician finds peace, receives love that casts out fear, and learns to trust the reconciling power of the gospel to turn every misspent note into a glorious tool of orchestration. I simply don't know of any contemporary who has mined this field more than Bill Edgar. With A Supreme Love, the gifted Dr. Edgar invites all readers from every vocation to experience what he's known and taught for decades now: Jesus and jazz are inextricably linked. Charlie Peacock, Grammy Award-winning music producer and founder of the commercial music program at Lipscomb University

"""William Edgar's A Supreme Love stands as something of a tour through the story of jazz and all that has shaped and informed it. After a solid introductory chapter called 'Jazz and the Gospel, ' Edgar takes the reader through a tour of slavery, the churches, the spirituals, the blues, gospel, and all the social, religious, and musical forces that coalesced in the development of jazz-a tour that runs for nearly half his book. But that's Edgar's way, as he doesn't want to rush too quickly past all those formative voices and influences, such that when he arrives at the point where jazz music begins to be formed, the reader is ready to roll. Newcomers to this music will find a deep and useful introduction to the music, with footnotes filled with links to online samples. Jazz fans will enjoy the tour, quibbling from time to time as to why this artist or that album wasn't cited . . . which is something jazz fans love to do! Read and be enriched."" Jamie Howison, author of God's Mind in That Music: Theological Explorations Through the Music of John Coltrane ""In my musician mind there has always been a deep connection between jazz, musical improvisation, and the disciple life. To risk the creation of improvised music armed with only imagination and talent is to dive right in to the center of grace. It's in the grace of God through Jesus that the musician finds peace, receives love that casts out fear, and learns to trust the reconciling power of the gospel to turn every misspent note into a glorious tool of orchestration. I simply don't know of any contemporary who has mined this field more than Bill Edgar. With A Supreme Love, the gifted Dr. Edgar invites all readers from every vocation to experience what he's known and taught for decades now: Jesus and jazz are inextricably linked."" Charlie Peacock, Grammy Award-winning music producer and founder of the commercial music program at Lipscomb University"

Author Information

Carl F. Ellis Jr. (DPhil, Oxford Graduate School) is Provost's Professor of Theology and Culture at Reformed Theological Seminary. He is also academic dean of The Makazi Institute, which he cofounded to train the next generation of high-level cultural analysts, and he serves on numerous boards and as a consultant on cultural matters. William Edgar (DThéol, Université de Genève) is professor of apologetics and coordinator of the apologetics department at Westminster Theological Seminary in Philadelphia as well as professeur associé at the Faculté Jean Calvin in Aix-en-Provence,France. He is the author of several books, including Created and Creating: A Biblical Theology of Culture; Reasons of the Heart: Recovering Christian Persuasion; Does Christianity Really Work?; The Christian Mind: Escaping Futility; A Transforming Vision: The Lord's Prayer as a Lens for Life; Francis Schaeffer on the Christian Life; and Christian Apologetics Past and Present.

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