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Awards
OverviewFull Product DetailsAuthor: James K. ColemanPublisher: University of Toronto Press Imprint: University of Toronto Press Dimensions: Width: 13.30cm , Height: 1.90cm , Length: 23.50cm Weight: 0.480kg ISBN: 9781487563448ISBN 10: 1487563442 Pages: 277 Publication Date: 16 June 2022 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsList of Illustrations Acknowledgments Introduction 1. The Uses of Oral Poetry in Quattrocento Florence 2. “Inspired and Possessed”: Marsilio Ficino and Oral Poetry 3. “Secret Frenzies”: Angelo Poliziano and Invention 4. “The Power to Stir Up Others”: Lorenzo de’ Medici and Improvisation 5. The Improviser and the World of the Courts Conclusion Works Cited NotesReviewsA Sudden Frenzy is a brilliant study of a form of early Renaissance performance that bridged high and low culture, recitation and instrumental music, sacred and profane, ancient and modern, wild imagination and meticulous crafting. Coleman shows us the 'power of extemporaneity' in a place and time often characterized for its classicism and strict conventions. By doing so, he opens exciting new doors onto humanist thought and practice. - Arielle Saiber, Professor of Romance Languages and Literatures, Bowdoin College James K. Coleman's A Sudden Frenzy exposes the often surprising commonalities between classical scholarship and 'popular' culture in the Italian Renaissance. Coleman attenuates the long-perceived boundary between the written texts of humanist scholars such as Poggio Bracciolini and Angelo Poliziano and the numerous oral and improvised performances that flanked them. The role of 'inspiration' emerges forcefully in these chapters as far more than a commonplace or metaphor for composition. - Walter Stephens, Charles S. Singleton Professor of Italian Studies, Johns Hopkins University ""James K. Coleman's A Sudden Frenzy exposes the often surprising commonalities between classical scholarship and 'popular' culture in the Italian Renaissance. Coleman attenuates the long-perceived boundary between the written texts of humanist scholars such as Poggio Bracciolini and Angelo Poliziano and the numerous oral and improvised performances that flanked them. The role of 'inspiration' emerges forcefully in these chapters as far more than a commonplace or metaphor for composition."" --Walter Stephens, Charles S. Singleton Professor of Italian Studies, Johns Hopkins University "" A Sudden Frenzy is a brilliant study of a form of early Renaissance performance that bridged high and low culture, recitation and instrumental music, sacred and profane, ancient and modern, wild imagination and meticulous crafting. Coleman shows us the 'power of extemporaneity' in a place and time often characterized for its classicism and strict conventions. By doing so, he opens exciting new doors onto humanist thought and practice."" --Arielle Saiber, Professor of Romance Languages and Literatures, Bowdoin College A Sudden Frenzy is a brilliant study of a form of early Renaissance performance that bridged high and low culture, recitation and instrumental music, sacred and profane, ancient and modern, wild imagination and meticulous crafting. Coleman shows us the 'power of extemporaneity' in a place and time often characterized for its classicism and strict conventions. By doing so, he opens exciting new doors onto humanist thought and practice. - Arielle Saiber, Professor of Romance Languages and Literatures, Bowdoin College James K. Coleman's A Sudden Frenzy exposes the often surprising commonalities between classical scholarship and 'popular' culture in the Italian Renaissance. Coleman attenuates the long-perceived boundary between the written texts of humanist scholars such as Poggio Bracciolini and Angelo Poliziano and the numerous oral and improvised performances that flanked them. The role of 'inspiration' emerges forcefully in these chapters as far more than a commonplace or metaphor for composition. - Walter Stephens, Charles S. Singleton Professor of Italian Studies, Johns Hopkins University Author InformationJames K. Coleman is an assistant professor of Italian at the University of Pittsburgh. Tab Content 6Author Website:Countries AvailableAll regions |