Awards

• Chicago Public Library Best of the Best Books
• Children's Book Committee at Bank Street College Best Children's Book of the Year
• Junior Library Guild Selection

Overview

Near the end of the american revolution, there were actually two double agents in lord cornwallis' camp near yorktown, va one of them was benedict arnold, who was notorious. The other was james armistead lafayette, who was successful - and a slave.

Full Product Details

9781467749336

Table of Contents

Reviews

Two years prior to the close of the Revolutionary War, an enslaved man in Virginia named James asks to help defeat the British by becoming a spy in exchange for his freedom. Working under the command of General Lafayette, James infiltrates General Cornwallis' troops by posing as a runaway slave and eventually becomes a double agent. Although Cornwallis surrenders, and the U.S. wins the war in 1783, James does not receive the freedom he expected, and three years pass before Lafayette wrote a certificate declaring James' independence. Rockwell's engaging narrative shines a light on the little-known story of a key African American player in a pivotal moment in American history. Rockwell's engaging, straightforward paragraphs are well matched by Cooper's stunning, soft-focus oil paintings, which add drama, thanks to the figures' expressive faces, from James' sly, knowing glances to the reader to his deflated aspect after the injustice of being denied what was promised him. With a compelling story and appealing artwork, this inviting foray into American history will catch the attention of many readers. --Booklist --Journal Rockwell (Hey, Charleston!) delivers a striking portrait of James Lafayette, an African-American spy critical to the outcome of the Revolutionary War. Enslaved by a Virginia farmer and known only as James, he worked with the French general Marquis de Lafayette (whose surname James later adopted) in exchange for freedom. Pretending to be a runaway slave, James infiltrated British troops, and 'information he passed to Lafayette allowed the colonial army to trap Cornwallis at Yorktown.' The succinct narrative explains a complicated wartime story using a conversational tone (General Lafayette is 'the French general with names to spare'). Cooper's (Ira's Shakespeare Dream) appealing oil-and-erasure illustrations affirm his skill as a gifted portrait artist. Settings recede into the background as close-ups of James, George Washington, Charles Cornwallis, and others bring emotion to the tale, revealing feelings of dejection, pride, and determination. Final pages and an author's note explain how James continued to fight for his freedom several years after the war and how Lafayette aided him in securing it. --Publishers Weekly --Journal Rockwell's detailed yet accessible text is perfectly matched with Cooper's exceptional oil paintings in this picture book biography. Using a muted color palette and done in a grainy style, the art imparts a sense of historical drama in each spread and expertly draws readers into James Lafayette's remarkable story. Rockwell wastes no words, beginning right away with General Cornwallis's defeat at the Battle of Yorktown and his discovery that a guide for the British army was in fact a double agent, a slave working as a spy for the Americans. (Rockwell discloses enough background information on the Revolutionary War to keep kids grounded.) Students will learn that although James provided an invaluable service to the Americans, he was denied his freedom after the war ended until a letter from General Lafayette intervened (back matter notes that James petitioned for his freedom on his own and was initially denied by the general assembly). In a triumphant last spread, the former spy, now James Lafayette, appears at the forefront of a landscape with bold red text proclaiming, 'James Lafayette was finally free.' VERDICT: A profoundly successful work. Pair this with Stephen Krensky's Hanukkah at Valley Forge and Laurie Halse Anderson's Independent Dames: What You Never Knew About the Women and Girls of the American Revolution for a well-rounded, multicultural look at the American Revolution. --starred, School Library Journal --Journal

Two years prior to the close of the Revolutionary War, an enslaved man in Virginia named James asks to help defeat the British by becoming a spy in exchange for his freedom. Working under the command of General Lafayette, James infiltrates General Cornwallis' troops by posing as a runaway slave and eventually becomes a double agent. Although Cornwallis surrenders, and the U.S. wins the war in 1783, James does not receive the freedom he expected, and three years pass before Lafayette wrote a certificate declaring James' independence. Rockwell's engaging narrative shines a light on the little-known story of a key African American player in a pivotal moment in American history. Rockwell's engaging, straightforward paragraphs are well matched by Cooper's stunning, soft-focus oil paintings, which add drama, thanks to the figures' expressive faces, from James' sly, knowing glances to the reader to his deflated aspect after the injustice of being denied what was promised him. With a compelling story and appealing artwork, this inviting foray into American history will catch the attention of many readers. --Booklist --Journal Rockwell's detailed yet accessible text is perfectly matched with Cooper's exceptional oil paintings in this picture book biography. Using a muted color palette and done in a grainy style, the art imparts a sense of historical drama in each spread and expertly draws readers into James Lafayette's remarkable story. Rockwell wastes no words, beginning right away with General Cornwallis's defeat at the Battle of Yorktown and his discovery that a guide for the British army was in fact a double agent, a slave working as a spy for the Americans. (Rockwell discloses enough background information on the Revolutionary War to keep kids grounded.) Students will learn that although James provided an invaluable service to the Americans, he was denied his freedom after the war ended until a letter from General Lafayette intervened (back matter notes that James petitioned for his freedom on his own and was initially denied by the general assembly). In a triumphant last spread, the former spy, now James Lafayette, appears at the forefront of a landscape with bold red text proclaiming, 'James Lafayette was finally free.' VERDICT: A profoundly successful work. Pair this with Stephen Krensky's Hanukkah at Valley Forge and Laurie Halse Anderson's Independent Dames: What You Never Knew About the Women and Girls of the American Revolution for a well-rounded, multicultural look at the American Revolution. --starred, School Library Journal --Journal Rockwell (Hey, Charleston!) delivers a striking portrait of James Lafayette, an African-American spy critical to the outcome of the Revolutionary War. Enslaved by a Virginia farmer and known only as James, he worked with the French general Marquis de Lafayette (whose surname James later adopted) in exchange for freedom. Pretending to be a runaway slave, James infiltrated British troops, and 'information he passed to Lafayette allowed the colonial army to trap Cornwallis at Yorktown.' The succinct narrative explains a complicated wartime story using a conversational tone (General Lafayette is 'the French general with names to spare'). Cooper's (Ira's Shakespeare Dream) appealing oil-and-erasure illustrations affirm his skill as a gifted portrait artist. Settings recede into the background as close-ups of James, George Washington, Charles Cornwallis, and others bring emotion to the tale, revealing feelings of dejection, pride, and determination. Final pages and an author's note explain how James continued to fight for his freedom several years after the war and how Lafayette aided him in securing it. --Publishers Weekly --Journal

Rockwell (Hey, Charleston!) delivers a striking portrait of James Lafayette, an African-American spy critical to the outcome of the Revolutionary War. Enslaved by a Virginia farmer and known only as James, he worked with the French general Marquis de Lafayette (whose surname James later adopted) in exchange for freedom. Pretending to be a runaway slave, James infiltrated British troops, and 'information he passed to Lafayette allowed the colonial army to trap Cornwallis at Yorktown.' The succinct narrative explains a complicated wartime story using a conversational tone (General Lafayette is 'the French general with names to spare'). Cooper's (Ira's Shakespeare Dream) appealing oil-and-erasure illustrations affirm his skill as a gifted portrait artist. Settings recede into the background as close-ups of James, George Washington, Charles Cornwallis, and others bring emotion to the tale, revealing feelings of dejection, pride, and determination. Final pages and an author's note explain how James continued to fight for his freedom several years after the war and how Lafayette aided him in securing it. --Publishers Weekly --Journal Rockwell's detailed yet accessible text is perfectly matched with Cooper's exceptional oil paintings in this picture book biography. Using a muted color palette and done in a grainy style, the art imparts a sense of historical drama in each spread and expertly draws readers into James Lafayette's remarkable story. Rockwell wastes no words, beginning right away with General Cornwallis's defeat at the Battle of Yorktown and his discovery that a guide for the British army was in fact a double agent, a slave working as a spy for the Americans. (Rockwell discloses enough background information on the Revolutionary War to keep kids grounded.) Students will learn that although James provided an invaluable service to the Americans, he was denied his freedom after the war ended until a letter from General Lafayette intervened (back matter notes that James petitioned for his freedom on his own and was initially denied by the general assembly). In a triumphant last spread, the former spy, now James Lafayette, appears at the forefront of a landscape with bold red text proclaiming, 'James Lafayette was finally free.' VERDICT: A profoundly successful work. Pair this with Stephen Krensky's Hanukkah at Valley Forge and Laurie Halse Anderson's Independent Dames: What You Never Knew About the Women and Girls of the American Revolution for a well-rounded, multicultural look at the American Revolution. --starred, School Library Journal --Journal Two years prior to the close of the Revolutionary War, an enslaved man in Virginia named James asks to help defeat the British by becoming a spy in exchange for his freedom. Working under the command of General Lafayette, James infiltrates General Cornwallis' troops by posing as a runaway slave and eventually becomes a double agent. Although Cornwallis surrenders, and the U.S. wins the war in 1783, James does not receive the freedom he expected, and three years pass before Lafayette wrote a certificate declaring James' independence. Rockwell's engaging narrative shines a light on the little-known story of a key African American player in a pivotal moment in American history. Rockwell's engaging, straightforward paragraphs are well matched by Cooper's stunning, soft-focus oil paintings, which add drama, thanks to the figures' expressive faces, from James' sly, knowing glances to the reader to his deflated aspect after the injustice of being denied what was promised him. With a compelling story and appealing artwork, this inviting foray into American history will catch the attention of many readers. --Booklist --Journal

Author Information

Anne Rockwell is the author of Hey, Charleston!:The True Story of the Jenkins Orphanage Band, which was a Junior Library Guild Selection. She lives in Stamford, Connecticut. Floyd Cooper (1956-2021) was a Coretta Scott King Award winner and illustrator of numerous books for children including Ruth and the Green Book, A Spy Called James, and Max and the Tag-Along Moon. Unspeakable, one of his final picture books, was a National Book Award longlist title, a Sibert Honor book, and a Caldecott Honor book. He received a degree in fine arts from the University of Oklahoma and went on to develop a distinctive art technique called oil erasure.

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