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9780195377347

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<br> This lively, intelligent and well-researched survey tells the tumultuous and often delightfully absurd saga of the film industry's frantic, disaster-laced efforts in the late 1920's and early 1930's to fabricate a new, lucrative product -- the movie musical -- as part of its effort to come to grips with the new technology of sound. Mr. Barrios makes clear that contrary to myth The Jazz Singer, featuring the overbearing Al Jolson, was neither the first major motion picture to use sound nor the first to make notable use of music. A Song in the Dark deals engagingly with its colorful and fascinating subject, and it is illuminating not only on artistic concerns, but on business and technical ones as well, including the process by which many of these films, previously declared lost, have been found and restored. It makes an effective case for a re-examination of this audacious, excessive and underappreciated moment in motion picture history. -New York Times<br> For anyone who is drawn

<br> This lively, intelligent and well-researched survey tells the tumultuous and often delightfully absurd saga of the film industry's frantic, disaster-laced efforts in the late 1920's and early 1930's to fabricate a new, lucrative product -- the movie musical -- as part of its effort to come to grips with the new technology of sound. Mr. Barrios makes clear that contrary to myth The Jazz Singer, featuring the overbearing Al Jolson, was neither the first major motion picture to use sound nor the first to make notable use of music. A Song in the Dark deals engagingly with its colorful and fascinating subject, and it is illuminating not only on artistic concerns, but on business and technical ones as well, including the process by which many of these films, previously declared lost, have been found and restored. It makes an effective case for a re-examination of this audacious, excessive and underappreciated moment in motion picture history. -New York Times<p><br> For anyone who is dra

This lively, intelligent and well-researched survey tells the tumultuous and often delightfully absurd saga of the film industry's frantic, disaster-laced efforts in the late 1920's and early 1930's to fabricate a new, lucrative product -- the movie musical -- as part of its effort to come to grips with the new technology of sound. Mr. Barrios makes clear that contrary to myth The Jazz Singer, featuring the overbearing Al Jolson, was neither the first major motion picture to use sound nor the first to make notable use of music. A Song in the Dark deals engagingly with its colorful and fascinating subject, and it is illuminating not only on artistic concerns, but on business and technical ones as well, including the process by which many of these films, previously declared lost, have been found and restored. It makes an effective case for a re-examination of this audacious, excessive and underappreciated moment in motion picture history. -New York Times For anyone who is drawn to the American Movie Classics channel on cable, or the 'Oldies' shelf at the local video store, Richard Barrios and his book will serve as a hugely well-informed and immensely authoritative ...companion. --Los Angeles Times Fascinating and exhaustive.... The general reader will find immense pleasure in the wealth of detail the author provides about those films that are long-forgotten and in most cases completely lost to the movie student. --The Stage With his definitive A Song in the Dark ...Richard Barrios fills the gap with a zestful account of the teething problems the cinema encountered when it first found its voice and out on its dancing shoes....Informative and hugely entertaining. --The Sunday Express This book fills an important gap in literature on the early days of the musical film, and charts its rise in detail. --BBC Music Magazine Richard Barrios provides an in-depth look at Post-Depression Hollywood. --Tutti Anyone interested in the Broadway and/or movie musical will find this history as engrossing as it is informative...One must be grateful to the author for bringing to life a faraway, misunderstood time of trial and error and turning both the triumphs and the misfires of early movie musicals into fascinating history. --Fontes Artis Musicae

This lively, intelligent and well-researched survey tells the tumultuous and often delightfully absurd saga of the film industry's frantic, disaster-laced efforts in the late 1920's and early 1930's to fabricate a new, lucrative product - the movie musical - as part of its effort to come to grips with the new technology of sound. Mr. Barrios makes clear that contrary to myth The Jazz Singer, featuring the overbearing Al Jolson, was neither the first major motion picture to use sound nor the first to make notable use of music. A Song in the Dark deals engagingly with its colorful and fascinating subject, and it is illuminating not only on artistic concerns, but on business and technical ones as well, including the process by which many of these films, previously declared lost, have been found and restored. It makes an effective case for a re-examination of this audacious, excessive and underappreciated moment in motion picture history. * New York Times *

Author Information

Richard Barrios has lectured extensively on film, served as a commentator on numerous DVDs, and co-hosted a series on Turner Classic Movies. He currently lives outside Philadelphia.

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