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OverviewFor introductory, one-semester courses devoted to digital photography. The London, Upton, Stone series has helped over 1,000,000 photography students capture their potential. After a very successful first edition, this second edition returns with the most up-to-date industry knowledge. Modeled after the long-running and widely used A Short Course in Photography, a brief text which presents the medium entirely in its most updated form. Full Product DetailsAuthor: Barbara London , Jim StonePublisher: Pearson Education (US) Imprint: Pearson Edition: 2nd edition Dimensions: Width: 21.00cm , Height: 1.00cm , Length: 27.20cm Weight: 0.600kg ISBN: 9780205066421ISBN 10: 0205066429 Pages: 224 Publication Date: 05 May 2011 Audience: College/higher education , Tertiary & Higher Education Replaced By: 9780205998258 Format: Paperback Publisher's Status: Out of Print Availability: In Print Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock. Table of Contents1 Camera 2 Getting Started Getting your camera ready 4 Focusing and setting the exposure 6 Exposure readout 7 Exposing images 8 What will you photograph? 9 Types of Cameras 10 Basic Camera Controls 12 More about Camera Controls 14 Inside a digital single-lens reflex camera 15 Shutter Speed Affects light and motion 16 Use it creatively 18 Aperture Affects light and depth of field 20 Use it creatively 22 Shutter Speed and Aperture Blur vs. depth of field 24 Getting the Most from Your Camera and Lens 26 2 Lens 28 Lens Focal Length The basic difference between lenses 30 Normal Focal Length The most like human vision 32 Long Focal Length Telephoto lenses 34 Short Focal Length Wide-angle lenses 36 Zoom, Macro, and Fisheye Lenses 38 Focus and Depth of Field 40 Automatic Focus 41 Depth of Field Controlling sharpness in a photograph 42 More about Depth of Field How to preview it 44 Perspective How a photograph shows depth 46 Lens Attachments Close-ups and Filters 48 3 Light and Exposure 50 Sensor and Pixels 52 Pixels and Resolution 53 Color in Photography 54 White Balance 55 Using Histograms 56 Exposure Meters What different types do 58 How to calculate and adjust an exposure manually 60 Overriding an Automatic Exposure Camera 62 Making an Exposure of an Average Scene 64 Exposing Scenes that are Lighter or Darker than Average 66 Backlighting 68 Exposing Scenes with High Contrast 69 HDR High dynamic range 70 4 The Digital Darkroom 72 Equipment and Materials You’ll Need 74 Pictures Are Files 75 Digital Color Modes, gamuts, spaces, and profiles 76 Channels 77 Calibrating for accuracy 78 Working with Camera Raw 79 Setting up a Workflow Stay organized 80 Workflow programs: Aperture and Lightroom 81 Importing an Image 82 Scanning 83 5 Image Editing 84 Getting Started Editing an Image 86 Adjusting an Image Levels 88 Curves 90 Adjusting Part of an Image Selections 92 More Techniques Layers 94 Retouching 96 Sharpening 98 Compositing 100 Color into black and white 102 Filters 103 An Editing Workflow 104 Ethics and Digital Imaging 106 6 Printing and Display 108 Printers and Drivers 110 Papers and Inks 111 Soft Proofing 112 Panoramic Photographs 113 Presenting Your Work Framing 114 Matting a print 115 Mounting a Print Equipment and materials you’ll need 116 Dry Mounting a Print Step by Step 118 Bleed Mounting/Overmatting 120 7 Organizing and Storing 122 Image Storage 124 Using Metadata 125 Software for Organizing 126 Archiving Images and Prints 127 8 Lighting 128 Qualities of Light From direct to diffused 130 Existing Light Use what’s available 132 The Main Light The strongest source of light 134 Fill Light To lighten shadows 136 Simple Portrait Lighting 138 Using Artificial Light Photolamp or flash 140 More about Flash How to position it 142 Using Flash 144 9 Seeing Like a Camera 146 What’s in the Picture The edges or frame 148 The background 150 Focus Which parts are sharp 152 Time and Motion in a Photograph 154 Depth in a Picture Three dimensions become two 156 Chaos becomes order 157 Photographing for Meaning 158 Portraits Informal: Finding them 160 Formal: Setting them up 162 Photographing the Landscape 164 Photographing the Cityscape 166 Photographing Inside 168 Responding to Photographs 170 10 History of Photography 172 Daguerrotype “Designs on silver bright” 174 Calotype Pictures on paper 176 Collodion Wet-Plate Sharp and reproducible 177 Gelatin Emulsion/Roll-Film Base Photography for everyone 178 Color Photography 179 Early Portraits 180 Early Travel Photography 182 Early Images of War 183 Time and Motion in Early Photographs 184 The Photograph as Document 185 Photography and Social Change 186 Photojournalism 188 Photography as Art in the 19th Century 192 Pictorial Photography and the Photo-Secession 193 The Direct Image in Art 194 The Quest for a New Vision 195 Photography as Art in the 1950s and 1960s 196 Photography as Art in the 1970s and 1980s 198 Digital Photography Predecessors 200 Becomes Mainstream 202 How to Learn More 204 Troubleshooting 205 Photographers’ Web Sites 210 Glossary 212 Bibliography 216 Photo Credits 217 Index 218ReviewsAuthor InformationJim Stone is an Associate Professor of Photography at the University of New Mexico. His photographs have been collected by the Museum of Modern Art and The Smithsonian American Art Museum, among many others. Books of his work include Stranger Than Fiction (Light Work, 1993),Historiostomy (Piltdown Press, 2001), and Why My Pictures are Good (Nazraeli Press, 2005). He has also published six higher education titles that are widely used in university courses: A User¹s Guide to the View Camera, Darkroom Dynamics, Photography, Photography: The Essential Way, A Short Course in Photography, and A Short Course in Digital Photography. Barbara London has authored and co-authored many photography books from their first editions to their current ones, including Photography, Photography: The Essential Way, A Short Course in Photography, A Short Course in Digital Photography, The Photograph Collector's Guide, and more. Tab Content 6Author Website:Countries AvailableAll regions |
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