|
![]() |
|||
|
||||
OverviewThe question of whether movies can deliver philosophical content is a leading topic in the cognitive and analytic debate on film. But instead of turning to the well-trodden terrain of narrative and emotional engagement, this is the first time fashion and costume choices are analyzed to demonstrate how movies can be said to be doing philosophy. Considering how fashion and costumes can deliver the epistemic content of a film and act as a guidance to the interpretation of the philosophical content of a film, Laura T. Di Summa examines fashion and costume choices in classical and contemporary films. She discusses a number of cinematic examples, and the costumes and fashion elements within them, illustrating the importance of issues such as the performative side of fashion, the alteration between novelty and repetition, the pivotal role of the body, and the relation between fashion, style, and individual as well as collective identity. Featuring close examinations of 1950s melodramas, Hollywood blockbusters and documentaries such as All That Heaven Allows, Mad Max Fury Road, and McQueen, Di Summa uses an innovative new lens to provide fresh philosophical analysis of films. The result is not only an advancement of our understanding of the aesthetic means through which film can do philosophy, but the first insights into a philosophy of fashion. Full Product DetailsAuthor: Laura T. Di Summa (William Paterson University, USA)Publisher: Bloomsbury Publishing PLC Imprint: Bloomsbury Academic Dimensions: Width: 13.80cm , Height: 2.50cm , Length: 21.60cm Weight: 0.454kg ISBN: 9781350157002ISBN 10: 1350157007 Pages: 176 Publication Date: 17 November 2022 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsReviewsIn her exciting new book, Laura Di Summa opens a new subject for the philosophy of film - movie fashion. Through enlightening discussions of costume design, accessories, and prosthetics as both elements of film style and prompts for questions of personal identity, Di Summa weaves an intricate text of her own. * Mario Slugan, Lecturer in Film, Queen Mary, University of London, UK * Author InformationLaura T. Di Summa is Assistant Professor of Philosophy at William Paterson University, USA. She is a co-editor of The Palgrave Handbook of the Philosophy of Film and Motion Pictures (2019). Tab Content 6Author Website:Countries AvailableAll regions |