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OverviewExplores the curating of ""difficult knowledge"" through the exhibition of lynching photographs in contemporary museums. Full Product DetailsAuthor: Roger I. SimonPublisher: State University of New York Press Imprint: State University of New York Press Dimensions: Width: 15.20cm , Height: 2.50cm , Length: 22.90cm Weight: 0.567kg ISBN: 9781438452692ISBN 10: 1438452691 Pages: 280 Publication Date: 01 August 2014 Audience: College/higher education , Professional and scholarly , Postgraduate, Research & Scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsForeword by Mario Di Paolantonio Preface 1. Exhibiting Archival Photographs of Racial Violence as a Pedagogy of Witness 2. Without Sanctuary Exhibitions at the Andy Warhol Museum and Chicago Historical Society 3. The Curatorial Work of Exhibiting Archival Photographs of Lynching in America 4. Public Performance in the Social Space of Museum Comment Books: Without Sanctuary Exhibitions and the Extended Conversation about Race in America 5. Curatorial Judgment, the Pedagogical Framing of Exhibitions, and the Relation of Affect and Thought 6. Some Closing Remarks on Curatorial Practice and the Pursuit of Social Justice Notes Bibliography IndexReviewsAuthor InformationRoger I. Simon (1942-2012) was Professor Emeritus at the Ontario Institute for Studies in Education, University of Toronto, and the author of several books, including The Touch of the Past: Remembrance, Learning, and Ethics. Tab Content 6Author Website:Countries AvailableAll regions |
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