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OverviewFull Product DetailsAuthor: Kim Sloan , Joyce E Chaplin (Harvard University) , Christian F Feest , Ute KuhlemannPublisher: The University of North Carolina Press Imprint: The University of North Carolina Press Edition: New edition Dimensions: Width: 22.20cm , Height: 2.30cm , Length: 27.90cm Weight: 1.356kg ISBN: 9780807831250ISBN 10: 0807831255 Pages: 256 Publication Date: 26 March 2007 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Out of Print Availability: Awaiting stock ![]() Table of ContentsReviewsA well-rounded portrait of White, his significance, and his role in England's early colonial activities in North America. -- Winterthur Portfolio Provides not only a new edition of White's images but also many new insights and perspectives on the artist. -- American Literary History Full of insightful revelations, subtle inferences, and extraordinary detail that bring to both the serious scholar and casual reader a refreshing look at the corpus of John White's work. -- NC Historical Review Put[s] White's paintings, beautifully reproduced, into the hands of a large number of readers. -- Huntington Library Quarterly A thought-provoking volume. -- Journal of Middle Atlantic Archaeology Provides background and context for White and his work in three deeply researched essays as well as in the text accompanying the beautifully reproduced watercolors from the exhibition. -- William and Mary Quarterly This handsome collaborative volume . . . brings the best of today's interdisciplinary scholarship to bear on his work in both its original and engraved versions. -- International History Review A masterful book that should be strongly recommended for all ages, classrooms, and libraries. . . . Highly recommended. -- CHOICE Splendid. . . . A great contribution to early Carolinian history. -- Post and Courier This book should be in every library devoted to art and history. -- Imprint A well-rounded portrait of White, his significance, and his role in England's early colonial activities in North America. -- Winterthur Portfolio Full of insightful revelations, subtle inferences, and extraordinary detail that bring to both the serious scholar and casual reader a refreshing look at the corpus of John White's work. -- NC Historical Review Put[s] White's paintings, beautifully reproduced, into the hands of a large number of readers. -- Huntington Library Quarterly Provides not only a new edition of White's images but also many new insights and perspectives on the artist. -- American Literary History A thought-provoking volume. -- Journal of Middle Atlantic Archaeology Provides background and context for White and his work in three deeply researched essays as well as in the text accompanying the beautifully reproduced watercolors from the exhibition. -- William and Mary Quarterly A masterful book that should be strongly recommended for all ages, classrooms, and libraries. . . . Highly recommended. -- CHOICE Splendid. . . . A great contribution to early Carolinian history. -- Post and Courier This handsome collaborative volume . . . brings the best of today's interdisciplinary scholarship to bear on his work in both its original and engraved versions. -- International History Review This book should be in every library devoted to art and history. -- Imprint Put[s] White's paintings, beautifully reproduced, into the hands of a large number of readers. -- Huntington Library Quarterly A well-rounded portrait of White, his significance, and his role in England's early colonial activities in North America. -- Winterthur Portfolio Provides not only a new edition of White's images but also many new insights and perspectives on the artist. -- American Literary History Full of insightful revelations, subtle inferences, and extraordinary detail that bring to both the serious scholar and casual reader a refreshing look at the corpus of John White's work. -- NC Historical Review A thought-provoking volume. -- Journal of Middle Atlantic Archaeology Provides background and context for White and his work in three deeply researched essays as well as in the text accompanying the beautifully reproduced watercolors from the exhibition. -- William and Mary Quarterly This handsome collaborative volume . . . brings the best of today's interdisciplinary scholarship to bear on his work in both its original and engraved versions. -- International History Review A masterful book that should be strongly recommended for all ages, classrooms, and libraries. . . . Highly recommended. -- CHOICE Splendid. . . . A great contribution to early Carolinian history. -- Post and Courier This book should be in every library devoted to art and history. -- Imprint A thought-provoking volume. <br> -- Journal of Middle Atlantic Archaeology Put[s] White's paintings, beautifully reproduced, into the hands of a large number of readers. -- Huntington Library Quarterly A well-rounded portrait of White, his significance, and his role in England's early colonial activities in North America. -- Winterthur Portfolio Provides not only a new edition of White's images but also many new insights and perspectives on the artist. -- American Literary History Full of insightful revelations, subtle inferences, and extraordinary detail that bring to both the serious scholar and casual reader a refreshing look at the corpus of John White's work. -- NC Historical Review A thought-provoking volume. -- Journal of Middle Atlantic Archaeology Provides background and context for White and his work in three deeply researched essays as well as in the text accompanying the beautifully reproduced watercolors from the exhibition. -- William and Mary Quarterly This handsome collaborative volume . . . brings the best of today's interdisciplinary scholarship to bear on his work in both its original and engraved versions. -- International History Review A masterful book that should be strongly recommended for all ages, classrooms, and libraries. . . . Highly recommended. -- CHOICE Splendid. . . . A great contribution to early Carolinian history. -- Post and Courier This book should be in every library devoted to art and history. -- Imprint Author InformationKim Sloan is curator of British drawings and watercolors and Francis Finlay Curator of the Enlightenment Gallery in the British Museum. Her three previous books include ""A Noble Art"" Amateur Artists and Drawing Masters, c. 1600-1800. Tab Content 6Author Website:Countries AvailableAll regions |