A New Way of Making Fowre Parts in Counterpoint by Thomas Campion: and Rules how to Compose by Giovanni Coprario

Author:   Christopher R. Wilson ,  Giovanni Coprario ,  Christopher R. Wilson ,  Professor Jessie Ann Owens
Publisher:   Taylor & Francis Ltd
Edition:   New edition
ISBN:  

9780754605157


Pages:   136
Publication Date:   28 September 2003
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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A New Way of Making Fowre Parts in Counterpoint by Thomas Campion: and Rules how to Compose by Giovanni Coprario


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Author:   Christopher R. Wilson ,  Giovanni Coprario ,  Christopher R. Wilson ,  Professor Jessie Ann Owens
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   New edition
Weight:   0.317kg
ISBN:  

9780754605157


ISBN 10:   0754605159
Pages:   136
Publication Date:   28 September 2003
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

'This is a valuable publication; it is good to have the content of the two treatises available in such an accessible form, while the interpretative and background material not only illuminates the treatises, but also places their content in a fairly wide historical context, particularly in relation to 16th- and 17th-century musical theory.' The Consort 'Wilson's volume is without doubt a most welcome transcription of two treatises whose importance has yet to be completely realized... Wilson's volume will surely prompt a reconsideration of the place of England, abstract instrumental music, and other genres in our interpretation of the early Baroque.' Music and Letters


'This is a valuable publication; it is good to have the content of the two treatises available in such an accessible form, while the interpretative and background material not only illuminates the treatises, but also places their content in a fairly wide historical context, particularly in relation to 16th- and 17th-century musical theory.' The Consort 'Wilson's volume is without doubt a most welcome transcription of two treatises whose importance has yet to be completely realized... Wilson's volume will surely prompt a reconsideration of the place of England, abstract instrumental music, and other genres in our interpretation of the early Baroque.' Music and Letters


Author Information

Christopher R. Wilson, The University of Reading, UK

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