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9781501344152

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Few insiders from the Folk movement of the 1950s/60s have been as prolific as Dick Weissman. This overview is scholarly, amiable, and anecdotal: he sheds light on the well-known and lesser known music types with his first-person experiences. He delivers an excellent study of styles and personalities that shaped this special genre of American and Canadian music. * J. Michael Kearsey, Berkshire Snow Productions, USA *

Few insiders from the Folk movement of the 1950s/60s have been as prolific as Dick Weissman. This overview is scholarly, amiable, and anecdotal: he sheds light on the well-known and lesser known music types with his first-person experiences. He delivers an excellent study of styles and personalities that shaped this special genre of American and Canadian music. * J. Michael Kearsey, Berkshire Snow Productions, USA * Dick Weissman was in the room at the dawn of the US-Canadian folk revival of the 1960s. As a musician, songwriter, and recording artist, he is uniquely placed to reflect on North American folk music as practice, cultural movement, and commercial industry. Also a professor and teacher, he is able to offer the wider historical overview. His New History is at once informed and idiosyncratic, scholarly and personal. It is sure to become a major source for future historians and lay readers alike. * Will Kaufman, Professor of American Literature & Culture, University of Central Lancashire, UK, and author of Woody Guthrie, American Radical (2011), Woody Guthrie's Modern World Blues (2017), and Mapping Woody Guthrie (2019) *

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Dick Weissman is Associate Professor Emeritus at the University of Colorado at Denver, USA, and has been involved with the North American folk revival as a musician, performer, composer and scholar. He is the author of many critically acclaimed books about American roots music and the music industry, including The Folk Music Sourcebook (1989), which won the Deems Taylor ASCAP Music Critics Award; The Music Business (5th edition 2003), which sold over 100,000 copies; Navigating the Music Industry (2003); Which Side Are You On?: An Inside History of the Folk Music Revival in America (Bloomsbury, 2006); and Songwriting: The Words, the Music, and the Money (2010).

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