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9780817355517

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Normal0falsefalsefalseMicrosoftInternetExplorer4 I have been waiting for a book like this to come out for most of my academic career. The essays in A Keener Perceptionprovide an important framework for emerging discussions around the ecocritical study of art and visual culture. The authors offer such rich and detailed visual analyses. --The Goose The introduction and twelve essays in this strong volume consider intriguing instances of American art that span more than four centuries. . . . Every essay here is both interesting and a pleasure to read. . . . Rich enough to repay multiple readings and likely to be loaned to many a student and colleague, this book about American visual culture is well worth its price. --ISLE

I have been waiting for a book like this to come out for most of my academic career. The essays in A Keener Perception provide an important framework for emerging discussions around the ecocritical study of art and visual culture. The authors offer such rich and detailed visual analyses. --The Goose The introduction and twelve essays in this strong volume consider intriguing instances of American art that span more than four centuries. . . . Every essay here is both interesting and a pleasure to read. . . . Rich enough to repay multiple readings and likely to be loaned to many a student and colleague, this book about American visual culture is well worth its price. --ISLE

Author Information

Alan C. Braddock is Assistant Professor of Art History at Temple University where he teaches courses on American art from the Colonial era to the present. He is also author of Thomas Eakins and the Cultures of Modernity. Christoph Irmscher is Professor of English and Adjunct Professor of History and Philosophy of Science and American Studies at Indiana University in Bloomington. He is author of Longfellow Redux, The Poetics of Natural History, and Public Poet, Private Man.

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