|
![]() |
|||
|
||||
OverviewIn the popular imagination, Homer as author of the Iliad and the Odyssey, epitomises poetic genius. So, when scholars proposed that the Homeric epics were not the unique creation of an individual author, but instead reflected a traditional compositional system developed by generations of singer-poets, swathes of assumptions about the poems and their 'author' were swept aside and called into question. Much had to be re-evaluated through a new lens. The creative process described by scholars for the Homeric epics shares many key attributes with the modern visual art-forms of collage and its less familiar variant: sculptural assemblage. A Homeric Catalogue of Shapes describes a series of twelve sculptures that together function as an abstract portrait of Homer: not a depiction of him as an individual, but as a compositional system. The technique by which the artworks were produced reflects the poetic method that scholars termed oral-formulaic. In both of these creative processes the artwork is constructed from pre-existing elements: such as phrases, characters, and plot-lines in the epics; and objects, fragmented items, and borrowed forms in the sculptures. The artist/author presents a largely unknown characterisation of Homeric poetics in a manner that emphasizes the extent and complexity of this Homer’s artistry. Full Product DetailsAuthor: Charlayn von Solms (Independent Artist, South Africa)Publisher: Bloomsbury Publishing PLC Imprint: Bloomsbury Academic Weight: 0.340kg ISBN: 9781350194571ISBN 10: 1350194573 Pages: 240 Publication Date: 20 May 2021 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsList of Illustrations Preface Acknowledgements Introduction Chapter 1: Seeing Differently Chapter 2. A Homeric Object Chapter 3: Sculptural Assemblage and the Composite Object Portrait Chapter 4: Homeric Iconographies Chapter 5: A Catalogue of Shapes 2010-13: Descriptive Catalogue of Artworks Chapter 6: A Composite Object Portrait of an Oral-Formulaic Homer Conclusion Notes Bibliography IndexReviewsThe book is wide-ranging and thoroughly researched, and displays a strong grasp of the history of Homeric scholarship ... Solms has melded two disparate topics well, and interdisciplinary work like this certainly enriches the field. * The Classical Review * Author InformationCharlayn von Solms is a sculptor in Cape Town, South Africa. She has lectured at the Michaelis School of Fine Art of the University of Cape Town, South Africa, the Department of Fine Art of the University of the Free State, South Africa, and the Department of Informatics and Design, Cape Peninsula University of Technology, South Africa. Tab Content 6Author Website:Countries AvailableAll regions |