Awards

• Winner of Independent Publisher, Gold Medal (Inspirational/Spiritual).
• Winner of The Nautilus Award 2004 (United States)

Overview

Full Product Details

9781933392479

Table of Contents

Reviews

This book, a richly textured exploration of Bill Coperthwaite's work and thought, encourages us to take the lessons of his life to heart. Each of us has the potential to craft our own lives with our own hands--actively, joyfully, and nonviolently, drawing upon the wisdom of our ancestors, striving for justice in the present, and fulfilling our obligations to those who will inherit our legacy. --John Saltmarsh (review refers to an earlier edition) Publishers Weekly- Serene and thoughtful, this rambling scrapbook by Maine native and yurt-house builder Coperthwaite provides a vision of a life lived simply and self-sufficiently. From violence to education to how to build a democratic chair or make an axe, Coperthwaite covers an abundance of topics as he describes his version of a handmade life and explains why such a life is desirable. Never quite didactic, Coperthwaite meditates on topics-such as the idea of employment as exploitation-more than he preaches about them, moving glibly from idea to disconnected idea. A recipe for a bread so good to both the palate and to health that a diet of bread and water would be a delight is placed next to an anecdote about a young Eskimo girl named Maggie, for example. And the author's own poems, along with poems by D.H. Lawrence and Emily Dickinson, intersperse the narrative. Peter Forbes' engaging color photographs illustrate Coperthwaite's concepts-no easy feat given their breadth and diversity. 67 color photos, 10 b&w illustrations. (review refers to an earlier edition of the book)

<p>Publishers Weekly-Serene and thoughtful, this rambling scrapbook by Maine native and yurt-house builder Coperthwaite provides a vision of a life lived simply and self-sufficiently. From violence to education to how to build a democratic chair or make an axe, Coperthwaite covers an abundance of topics as he describes his version of a handmade life and explains why such a life is desirable. Never quite didactic, Coperthwaite meditates on topics-such as the idea of employment as exploitation-more than he preaches about them, moving glibly from idea to disconnected idea. A recipe for a bread so good to both the palate and to health that a diet of bread and water would be a delight is placed next to an anecdote about a young Eskimo girl named Maggie, for example. And the author's own poems, along with poems by D.H. Lawrence and Emily Dickinson, intersperse the narrative. Peter Forbes' engaging color photographs illustrate Coperthwaite's concepts-no easy feat given their breadth and diversity. 67 color photos, 10 b&w illustrations. (review refers to an earlier edition of the book)

Publishers Weekly-Serene and thoughtful, this rambling scrapbook by Maine native and yurt-house builder Coperthwaite provides a vision of a life lived simply and self-sufficiently. From violence to education to how to build a democratic chair or make an axe, Coperthwaite covers an abundance of topics as he describes his version of a handmade life and explains why such a life is desirable. Never quite didactic, Coperthwaite meditates on topics-such as the idea of employment as exploitation-more than he preaches about them, moving glibly from idea to disconnected idea. A recipe for a bread so good to both the palate and to health that a diet of bread and water would be a delight is placed next to an anecdote about a young Eskimo girl named Maggie, for example. And the author's own poems, along with poems by D.H. Lawrence and Emily Dickinson, intersperse the narrative. Peter Forbes' engaging color photographs illustrate Coperthwaite's concepts-no easy feat given their breadth and diversity. 67 color photos, 10 b&w illustrations. (review refers to an earlier edition of the book)

Author Information

William Coperthwaite is a native of Maine who has travelled the world in search of folk-art techniques and subsistence skills. Impressed by the beauty and intelligence of the traditional central Asian nomadic tents called eyurtsi, Coperthwaite adapted and introduced to North America yurt design and construction, building them for for family homes, schools, camps and outbuildings. William Coperthwaite is a native of Maine who has travelled the world in search of folk-art techniques and subsistence skills. Impressed by the beauty and intelligence of the traditional central Asian nomadic tents called ""yurts,"" Coperthwaite adapted and introduced to North America yurt design and construction. In the past four decades he has participated in building more than three hundred yurts for family homes, schools, camps, and outbuildings. Awarded a doctorate from Harvard University's School of Education for his work with Eskimo villagers, Coperthwaite has taught in a variety of innovative educational settings.

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