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9781800859203

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Reviews

'This book offers a number of useful insights into the titular 2014 vampire film... Various angles facilitate a thoughtful reading of a fascinating film. Throughout the book, Kazemi complements his extensive theoretical knowledge with detailed close reading of the film... I recommend this book to students and scholars in film studies, particularly those with interests in psychoanalytic film theory and/or horror.' Max Bledstein, Abstracta Iranica

'This book offers a number of useful insights into the titular 2014 vampire film... Various angles facilitate a thoughtful reading of a fascinating film. Throughout the book, Kazemi complements his extensive theoretical knowledge with detailed close reading of the film... I recommend this book to students and scholars in film studies, particularly those with interests in psychoanalytic film theory and/or horror.' Max Bledstein, Abstracta Iranica

Author Information

Farshid Kazemi is a postdoctoral fellow at the School for the Contemporary Arts, Simon Fraser University. His research interests combine an interdisciplinary and theoretical approach to Film and Media Studies/Film Theory, Iranian Studies, and Islamic and Middle Eastern Studies. He holds a PhD in Islamic and Middle Eastern Studies from the University of Edinburgh with a thesis on Iranian Cinema and Psychoanalysis. His work has appeared in academic journals such as Camera Obscura, Journal of Middle East Women's Studies, and Iranian Studies.

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