A General Theory of Visual Culture

Awards:   Winner of Susanne K. Langer Award for Outstanding Scholarship in the Ecology of Symbolic Form 2012 Winner of Susanne K. Langer Award for Outstanding Scholarship in the Ecology of Symbolic Form 2012. Winner of Susanne K. Langer Award for Outstanding Scholarship in the Ecology of Symbolic Form, Media Ecology Awards, Media Ecology Association 2012 (United States)
Author:   Whitney Davis
Publisher:   Princeton University Press
ISBN:  

9780691147659


Pages:   400
Publication Date:   27 February 2011
Format:   Hardback
Availability:   In Print   Availability explained
Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock.

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A General Theory of Visual Culture


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Awards

  • Winner of Susanne K. Langer Award for Outstanding Scholarship in the Ecology of Symbolic Form 2012
  • Winner of Susanne K. Langer Award for Outstanding Scholarship in the Ecology of Symbolic Form 2012.
  • Winner of Susanne K. Langer Award for Outstanding Scholarship in the Ecology of Symbolic Form, Media Ecology Awards, Media Ecology Association 2012 (United States)

Overview

What is cultural about vision - or visual about culture? In this ambitious book, Whitney Davis provides new answers to these difficult and important questions by presenting an original framework for understanding visual culture. Grounded in the theoretical traditions of art history, ""A General Theory of Visual Culture"" argues that, in a fully consolidated visual culture, artifacts and pictures have been made to be seen in a certain way; what Davis calls 'visuality' is the visual perspective from which certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. In this book, Davis provides a systematic analysis of visuality and describes how it comes into being as a historical form of vision. Expansive in scope, ""A General Theory of Visual Culture"" draws on art history, aesthetics, the psychology of perception, the philosophy of reference, and vision science, as well as visual-cultural studies in history, sociology, and anthropology. It provides penetrating new definitions of form, style, and iconography, and draws important and sometimes surprising conclusions (for example, that vision does not always attain to visual culture, and that visual culture is not always wholly visible). The book uses examples from a variety of cultural traditions, from prehistory to the twentieth century, to support a theory designed to apply to all human traditions of making artifacts and pictures - that is, to visual culture as a worldwide phenomenon.

Full Product Details

Author:   Whitney Davis
Publisher:   Princeton University Press
Imprint:   Princeton University Press
Dimensions:   Width: 17.80cm , Height: 2.80cm , Length: 25.40cm
Weight:   1.219kg
ISBN:  

9780691147659


ISBN 10:   0691147655
Pages:   400
Publication Date:   27 February 2011
Audience:   College/higher education ,  Professional and scholarly ,  General/trade ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Out of Print
Availability:   In Print   Availability explained
Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock.
Language:   English

Table of Contents

llustrations xi Preface xv Part One The Successions of Visual Culture Chapter 1: Vision Has an Art History 3 Chapter 2: Vision and the Successions to Visual Culture 11 Part Two What Is Cultural about Vision? Chapter 3: What Is Formalism? 45 Chapter 4: The Stylistic Succession 75 Chapter 5: The Close Reading of Artifacts 120 Chapter 6: Successions of Pictoriality 150 Chapter 7: The Iconographic Succession 187 Chapter 8: Visuality and Pictoriality 230 Part Three: What Is Visual about Culture? Chapter 9: How Visual Culture Becomes Visible 277 Chapter 10: Visuality and the Cultural Succession 322 Notes 341 Index 375

Reviews

Along with David Summers's Real Spaces, Whitney Davis's General Theory of Visual Culture is one of the most ambitious and potentially foundational books on art history in recent decades... As conceptual reorganization of art history's fundamental terms of engagement with objects, the book is exemplary, and it is difficult to imagine a reader who is engaged with the discipline for whom this book is optional reading. -- Jim Elkins, CAA Reviews [Q]uirky and ambitious... -- Choice


Along with David Summers's Real Spaces, Whitney Davis's General Theory of Visual Culture is one of the most ambitious and potentially foundational books on art history in recent decades... As conceptual reorganization of art history's fundamental terms of engagement with objects, the book is exemplary, and it is difficult to imagine a reader who is engaged with the discipline for whom this book is optional reading. -- Jim Elkins, CAA Reviews


Author Information

Whitney Davis is the George C. and Helen N. Pardee Professor of History of Art at the University of California, Berkeley. He is the author of many books, most recently ""Replications: Archaeology, Art History, Psychoanalysis"" and ""Queer Beauty: Sexuality and Aesthetics from Winckelmann to Freud and Beyond"".

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