Overview

"This is the first study to account the origins of French feminism to Neoclassical theatre and the court of Louis XIV. Through feminist revisionist histories of French literature, the Neoclassical plots and female archetypes from Racine's ""Phedre"" and ""Andromache"", Voltaire's ""Brutus"" (Catherine Bernard), and Marmontel's ""Belisarius"" (Stephanie Genlis) were transposed by women writers and patrons onto actresses and the queens, empresses, and mistresses of the French ruling dynasties from Louis XIV- to Napoleon at a time when women were denied the rights of citizenship. This study argues that contemporary French feminism is a function of historicism that defines female identity through parallel constructs between regency and theatre, Neoclassicism and modernity, authors of an emerging body of French feminist writings ineluctably reconcile sadist and pacifist incongruities between gendered roles in tragedy."

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9780773425835

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Reviews

"""... extremely well documented... she demonstrates how female writers and thinkers... adapt the male neoclassical canon and reinterpret it."" (Prof. Siofra Pierse University College Dublin) ""Merging an interest in theatrical, literary, and visual arts, this project helps to show the historical correspondences between the arts."" (Prof. Sarah Lippert University of Michigan, Flint)"""

... extremely well documented... she demonstrates how female writers and thinkers... adapt the male neoclassical canon and reinterpret it. (Prof. Siofra Pierse University College Dublin) Merging an interest in theatrical, literary, and visual arts, this project helps to show the historical correspondences between the arts. (Prof. Sarah Lippert University of Michigan, Flint)

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