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9781598742596

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'A Fearsome Heritage draws on artistic responses to the Cold War, defining them as being archaeology in a broad sense. This approach is refreshing, and the individual contributions are of high quality.... The boldness of the book's approach to modern remains, as well as its willingness to discuss topics rarely looked at by archaeologists, makes reading the volume a stimulating experience.' Archaeological Review from Cambridge, 23:1 'A Fearsome Heritage draws on artistic responses to the Cold War, defining them as being archaeology in a broad sense. This approach is refreshing, and the individual contributions are of high quality...the boldness of the book's approach to modern remains, as well as its willingness to discuss topics rarely looked at by archaeologists, makes reading the volume a stimulating experience. The reader gets a good picture of the diversity of interest in heritage, as well as some of the approaches adopted by heritage managers, artists and political forces. The willingness to experiment, shown by the incorporation of sound and visual arts, is both admirable and effective in terms of underlining the message that not all the tools to understand Cold War heritage can be supplied by archaeology.' Mads Dahl Gjefsen, Archaeological Review from Cambridge --This text refers to the Library Binding edition. The book is very readable, and offers over 150 photos and illustrations that do a tremendous good job of highlighting the profound impact of the Cold War on material culture. - Current Archaeology As a study of the 'contemporary past,' the volume takes a multidisciplinary perspective that joins archaeology with anthropology, art, sociology, and politics to study/critique Cold War heritage. Importantly, the work of contemporary artists in film, video, and music loom large in this lavishly illustrated volume (which includes color!) because it not only constitutes archives, documents, and artifacts, but also serves to engage with the Cold War symbolically and interpret it for us. - B. Osborne, CHOICE Magazine A Fearsome Heritage draws on artistic responses to the Cold War, defining them as being archaeology in a broad sense. This approach is refreshing, and the individual contributions are of high quality...the boldness of the book's approach to modern remains, as well as its willingness to discuss topics rarely looked at by archaeologists, makes reading the volume a stimulating experience. The reader gets a good picture of the diversity of interest in heritage, as well as some of the approaches adopted by heritage managers, artists and political forces. The willingness to experiment, shown by the incorporation of sound and visual arts, is both admirable and effective in terms of underlining the message that not all the tools to understand Cold War heritage can be supplied by archaeology. - Mads Dahl Gjefsen, Cambridge Archaeological Review

""'A Fearsome Heritage draws on artistic responses to the Cold War, defining them as being archaeology in a broad sense. This approach is refreshing, and the individual contributions are of high quality.... The boldness of the book's approach to modern remains, as well as its willingness to discuss topics rarely looked at by archaeologists, makes reading the volume a stimulating experience.' Archaeological Review from Cambridge, 23:1 'A Fearsome Heritage draws on artistic responses to the Cold War, defining them as being archaeology in a broad sense. This approach is refreshing, and the individual contributions are of high quality...the boldness of the book's approach to modern remains, as well as its willingness to discuss topics rarely looked at by archaeologists, makes reading the volume a stimulating experience. The reader gets a good picture of the diversity of interest in heritage, as well as some of the approaches adopted by heritage managers, artists and political forces. The willingness to experiment, shown by the incorporation of sound and visual arts, is both admirable and effective in terms of underlining the message that not all the tools to understand Cold War heritage can be supplied by archaeology.' Mads Dahl Gjefsen, Archaeological Review from Cambridge --This text refers to the Library Binding edition. ""The book is very readable, and offers over 150 photos and illustrations that do a tremendous good job of highlighting the profound impact of the Cold War on material culture."" - Current Archaeology ""As a study of the 'contemporary past,' the volume takes a multidisciplinary perspective that joins archaeology with anthropology, art, sociology, and politics to study/critique Cold War heritage. Importantly, the work of contemporary artists in film, video, and music loom large in this lavishly illustrated volume (which includes color!) because it not only constitutes archives, documents, and artifacts, but also serves to engage with the Cold War symbolically and interpret it for us."" - B. Osborne, CHOICE Magazine ""A Fearsome Heritage draws on artistic responses to the Cold War, defining them as being archaeology in a broad sense. This approach is refreshing, and the individual contributions are of high quality...the boldness of the book's approach to modern remains, as well as its willingness to discuss topics rarely looked at by archaeologists, makes reading the volume a stimulating experience. The reader gets a good picture of the diversity of interest in heritage, as well as some of the approaches adopted by heritage managers, artists and political forces. The willingness to experiment, shown by the incorporation of sound and visual arts, is both admirable and effective in terms of underlining the message that not all the tools to understand Cold War heritage can be supplied by archaeology."" - Mads Dahl Gjefsen, Cambridge Archaeological Review""

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Dr John Schofield, Wayne Cocroft

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