Overview

'I think I'm a human being before anything else. I don't care what other people say. I don't care what people write in books. I need to think for myself.' Henrik Ibsen's A Doll's House premiered in 1879 in Copenhagen, the second in a series of realist plays by Ibsen, and immediately provoked controversy with its apparently feminist message and exposure of the hypocrisy of Victorian middle-class marriage. In Ibsen's play, Nora Helmer has secretly (and deceptively) borrowed a large sum of money to pay for her husband, Torvald, to recover from illness on a sabbatical in Italy. Torvald's perception of Nora is of a silly, naive spendthrift, so it is only when the truth begins to emerge, and Torvald appreciates the initiative behind his wife, that unmendable cracks appear in their marriage. This compelling new version of Ibsen's masterpiece by playwright Simon Stephens premiered at the Young Vic Theatre, London, on 29 June 2012. It was updated with minor changes in 2013.

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9781472526410

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Reviews

Simon Stephens's agile new version ... quick and clear and full of subtle touches Susannah Clapp, Guardian A sensible, sensitive and spirited version ... that chimes with the debt-laden times we're trapped in and poses still-pressing questions Dominic Cavendish, Telegraph There's now a more striking depth of stillness, solitude even, at the heart of Morahan's luminous and impassioned performance ... The supple new version of the text by Simon Stephens is another great plus point ... in this definitive take on a classic. -- Fiona Mountford Standard Carrie Cracknell's thrillign production of this Ibsen classic, in an astute, often savagely funny version by Simon Stephens ... And as the doll at the play's heart and hearth cracks like porcelain and the woman emerges, it's with a force that's shattering. -- Sam Marlowe Metro Simon Stephens' new English-language version of the text, paired with Cracknell's crisp direction, makes the characters' anxieties feel contemporary despite the period dress. Feminism may not have been in Ibsen's vocabulary, but he was undoubtedly concerned with the roles we all play and why. Financial Times

Simon Stephens's agile new version ... quick and clear and full of subtle touches Susannah Clapp, Guardian A sensible, sensitive and spirited version ... that chimes with the debt-laden times we're trapped in and poses still-pressing questions Dominic Cavendish, Telegraph

Author Information

Simon Stephens has been the recipient of both the Pearson Award for Best New Play 2001-2 for his play Port, and the Olivier Award for Best New Play 2005 for On the Shore of the Wide World. His recent plays include Harper Regan (National Theatre), Punk Rock (Lyric Hammersmith/Royal Exchange, Manchester), Pornography (Traverse and Birmingham Rep), Wastwater (Royal Court and Wiener Festwochen), The Trial of Ubu (Hampstead Theatre) and Three Kingdoms (Lyric Hammersmith). Henrik Ibsen (1828-1906) was a Norwegian playwright and poet whose realistic, symbolic and often controversial plays revolutionised European theatre. He is widely regarded as the father of modern drama. His acclaimed plays include A Doll's House, Ghosts, Hedda Gabler, An Enemy of the People and The Pillars of the Community.

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