Dictionary of Theatre Anthropology, A: The Secret Art of the Performer

Author:   Professor Eugenio Barba (Nordisk Teaterlaboratorium, Holstebro, Denmark) ,  Nicola Savarese (University Romatre, Rome, Italy)
Publisher:   Routledge
Edition:   2nd
ISBN:  

9781283102216


Pages:   321
Publication Date:   01 January 2011
Format:   Electronic book text
Availability:   Available To Order   Availability explained
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Dictionary of Theatre Anthropology, A: The Secret Art of the Performer


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Author:   Professor Eugenio Barba (Nordisk Teaterlaboratorium, Holstebro, Denmark) ,  Nicola Savarese (University Romatre, Rome, Italy)
Publisher:   Routledge
Imprint:   Routledge
Edition:   2nd
ISBN:  

9781283102216


ISBN 10:   1283102218
Pages:   321
Publication Date:   01 January 2011
Audience:   General/trade ,  General
Format:   Electronic book text
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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Reviews

this book is indispensable for any theatre library. It represents some of the most exciting and widely applicable research in the area of theatre anthropology, indeed, it may well be the most important book on acting technique since Barba edited Grotowski's Towards a Poor Theatre. <br>- Journal of Dramatic Theory and Criticism <br>. . . the entries in the Dictionary are fascinating flashbulbs, shedding light on myriad ways of performing--breathing in noh, eye movement in kathakali, balance in Indian bharatanatyam . . . For actors grounded in 20th-Century American realism, this plethora of body-based . . . information could prove (literally) eye-opening. Particularly persuasive is Schechner's essay on restoration of behavior'. <br>- American Theatre <br>


this book is indispensable for any theatre library. It represents some of the most exciting and widely applicable research in the area of theatre anthropology, indeed, it may well be the most important book on acting technique since Barba edited Grotowski's Towards a Poor Theatre. - Journal of Dramatic Theory and Criticism . . . the entries in the Dictionary are fascinating flashbulbs, shedding light on myriad ways of performing--breathing in noh, eye movement in kathakali, balance in Indian bharatanatyam . . . For actors grounded in 20th-Century American realism, this plethora of body-based . . . information could prove (literally) eye-opening. Particularly persuasive is Schechner's essay on restoration of behavior'. - American Theatre


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