A Day with Picasso

Awards:   Winner of <PrizeName>Best Critical Study, 1998 Golden Light Book Awards sponsored by the Maine Photographic Workshops</PrizeName> 1998 Winner of Best Critical Study, 1998 Golden Light Book Awards sponsored by the Maine Photographic Workshops 1998 Winner of Best Critical Study, 1998 Golden Light Book Awards sponsored by the Maine Photographic Workshops</PrizeName> 1998
Author:   Billy Klüver
Publisher:   MIT Press Ltd
Edition:   New edition
ISBN:  

9780262611473


Pages:   110
Publication Date:   18 February 1999
Recommended Age:   From 18 years
Format:   Paperback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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A Day with Picasso


Awards

  • Winner of <PrizeName>Best Critical Study, 1998 Golden Light Book Awards sponsored by the Maine Photographic Workshops</PrizeName> 1998
  • Winner of Best Critical Study, 1998 Golden Light Book Awards sponsored by the Maine Photographic Workshops 1998
  • Winner of Best Critical Study, 1998 Golden Light Book Awards sponsored by the Maine Photographic Workshops</PrizeName> 1998

Overview

In 1978, while collecting documentary photographs of the artists' community in Montparnasse from the first decades of the century, Billy Kluver discovered that some previously unassociated photographs fell into significant groupings. One group in particular, showing Picasso, Max Jacob, Moise Kisling, Modigliani, and others at the Cafe de la Rotonde and on Boulevard du Montparnasse, all seemed to have been taken on the same day. The people were wearing the same clothes in each shot and had the same accessories. Their ties were knotted the same way and their collars had the same wrinkles. A total of 24 photographs - four rolls of film with six photographs each - were eventually found. With the challenge of identifying the date, photographer, and circumstances, Kluver embarked on an inquiry that would illuminate the minute texture of that time and place. Biographical research into the subjects' lives led Kluver to focus on the summer of 1916 as the likely time the photos were taken. He then measured buildings and plotted angles and lengths of shadows in the photographs to narrow the time frame to a spread of three weeks. Further investigation eventually allowed Kluver to identify the photographer as Jean Cocteau and to determine the day that Cocteau had taken the photographs - August 12, 1916. A computer printout of the sun's positions on that date, obtained from the Bureau des Longitudes, together with the length of the shadows, enabled Kluver to calculate the time of day of each photograph, and thus to put them in proper sequence. In a tour de force of art historical research, Kluver then reconstructed a scenario of the events of the four hours depicted in the photographs. With attention to detail - noting when Picasso is no longer carrying an envelope or Max Jacob has acquired a decoration in his lapel - Kluver recreates a single afternoon in the lives of Picasso and friends, a group of remarkable people in early 20th-century Paris. Besides the central ""portfolio"" of photographs by Cocteau, the book contains additional photographs and drawings, short biographies of all the subjects, and a historical section on the events and activities in the Paris art world at the time.

Full Product Details

Author:   Billy Klüver
Publisher:   MIT Press Ltd
Imprint:   MIT Press
Edition:   New edition
Dimensions:   Width: 17.80cm , Height: 0.50cm , Length: 22.90cm
Weight:   0.227kg
ISBN:  

9780262611473


ISBN 10:   0262611473
Pages:   110
Publication Date:   18 February 1999
Recommended Age:   From 18 years
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Reviews

Very amusing and almost wildly ingenious. -- <b>Rosamond Bernier</b> * <i>New York Times Book Review</i> * An amazing feat of detective work. -- <b>Michael FitzGerald</b> * <i>Artforum</i>'s Bookforum *


An amazing feat of detective work. --Michael FitzGerald, Artforum's Bookforum Very amusing and almost wildly ingenious. --Rosamond Bernier, New York Times Book Review


Very amusing and almost wildly ingenious. -Rosamond Bernier, New York Times Book Review An amazing feat of detective work. -Michael FitzGerald, Artforum's Bookforum * Reviews * Very amusing and almost wildly ingenious. -Rosamond Bernier, New York Times Book Review * Reviews *


In 1978, while collecting documentary photographs of the artists' community in Montparnasse from the first decades of the century, Kluver discovered that some previously unassociated photographs, by an unknown photographer, appeared to be related. Showing Picasso, Max Jacob, Modigliani and others, they all seemed to have been taken on the same day: the subjects were wearing the same clothes and accessories. Challenged, Kluver embarked on an inquiry that would not only determine the photographer's identity, but illuminate a time and place. Further investigation identified the photographer as Jean Cocteau and the date of the photos as 12 August 1916. Although short, the book is a tour de force of art-historical research and even detective work. Besides the central portfolio of Cocteau's images, it also includes additional photographs and drawings, brief biographies of all the subjects, and a section on events and activities in the Montparnasse art world in the early 20th century. (Kirkus UK)


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