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OverviewEighteenth-century fashion was cosmopolitan and varied. Whilst the wildly extravagant and colorful elite fashions parodied in contemporary satire had significant influence on wider dress habits, more austere garments produced in darker fabrics also reflected the ascendancy of a puritan middle class as well as a more practical approach to dress. With the rise of print culture and reading publics, fashions were more quickly disseminated and debated than ever, and the appetite for fashion periodicals went hand in hand with a preoccupation with the emerging concept of taste. Richly illustrated with over 100 images and drawing on pictorial, textual and object sources, A Cultural History of Dress and Fashion in the Age of Enlightenment presents essays on textiles, production and distribution, the body, belief, gender and sexuality, status, ethnicity, and visual and literary representations to illustrate the diversity and cultural significance of dress and fashion in the period. Full Product DetailsAuthor: Peter McNeilPublisher: Bloomsbury Publishing PLC Imprint: Bloomsbury Academic Weight: 0.540kg ISBN: 9781350204690ISBN 10: 1350204692 Pages: 288 Publication Date: 25 February 2021 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsList of Illustrations Introduction Peter McNeil (University of Technology Sydney, Australia) Chapter 1 - Textiles Tove Engelhardt Mathiassen (National Open Air Museum of Urban History and Culture, Denmark) Chapter 2 - Production and Distribution Beverly Lemire (University of Alberta, Canada) Chapter 3 - The Body Isabelle Paresys (Universite de Lille, France) Chapter 4 - Belief Dagmar Freist (Carl von Ossietzky-University Oldenburg, Germany) Chapter 5 - Gender and Sexuality Dominic Janes (University of Keele, UK) Chapter 6 - Status Mikkel Venborg Pedersen (National Museum in Copenhagen, Denmark) Chapter 7 - Ethnicity Barbara Lasic (Sotheby's Institute of Art, UK) Chapter 8 - Visual Representations Christian Huck (University of Kiel, Germany) Chapter 9 - Literary Representations Alicia Kerfoot (State University of New York, USA) Notes Bibliography Notes on Contributors IndexReviewsAuthor InformationPeter McNeil is Professor of Design History at the University of Technology Sydney, Australia. Tab Content 6Author Website:Countries AvailableAll regions |