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OverviewDrawing a link between music and what Maurice Merleau-Ponty calls the habit body – a quasi-transcendental structure at the heart of our perceptual, social, and agential being – this book helps articulate why music has the power to express as well as shape our existence at a fundamental level. Using phenomenology, research in the cognitive sciences, and first-person descriptions of musical experiences, this book addresses topics such as the relationship of music to identity, the capacity of music to be personally and socially transformative, the role of music in our perception of others, the connection between music and trauma, and the possibility of engendering we-experiences through shared musical time. Full Product DetailsAuthor: Rachel ElliottPublisher: Springer International Publishing AG Imprint: Palgrave Macmillan ISBN: 9783031921100ISBN 10: 3031921100 Pages: 248 Publication Date: 16 July 2025 Audience: Professional and scholarly , College/higher education , Professional & Vocational , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsChapter 1. Introduction.- Chapter 2. Musical Epistemology.- Chapter 3. Listening.- Chapter 4. The Body in the Phenomenology of Perception.- Chapter 5. Singing.- Chapter 6. Music and the Situated Body Schema.- Chapter 7. Dancing.- Chapter 8. The Role of Others in Musical Experience.- Chapter 9. Performing.- Chapter 10. Transforming the Habit Body through Music.- Chapter 11. Playing.- Chapter 12. Conclusion.ReviewsAuthor InformationRachel Elliott is a Doctoral Lecturer in Philosophy at CUNY, College of Staten Island, in New York City. This is her first book. Tab Content 6Author Website:Countries AvailableAll regions |