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9781444332049

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Offers strong and accessible scholarship on major playwrights and aspects of theatrical history and historiography, and usefully reflects on its own practices and agendas, and will be extremely useful to students and theatre scholars. Cercles A Companion to Modern British and Irish Drama 1880-2005 is a much needed intervention in the field, with its substantial coverage of Irish drama and significant essays on the work of women playwrights, as well as solid coverage of the usual suspects. It is profitably innovative in terms of both structure and content. Many volumes with such a coverage remit fail to ever go much beyond the standard canonical playwrights and texts...a 'must buy' for all University libraries...this is a volume which will have currency for years to come. New Theatre Quarterly Luckhurst argues for a reassessment of 'Englishness,' and, accordingly, this companion emphasizes postcolonial and feminist agendas and questions the dominance of urban locales and certain theatrical institutions...combined, the essays provide a necessary reassessment of British and Irish drama. Choice There is so much valuable material in the book that it is sure to be frequently read and consulted. Donald Hawes, Reference Reviews

"""Offers strong and accessible scholarship on major playwrights and aspects of theatrical history and historiography, and usefully reflects on its own practices and agendas, and will be extremely useful to students and theatre scholars."" Cercles ""A Companion to Modern British and Irish Drama 1880-2005 is a much needed intervention in the field, with its substantial coverage of Irish drama and significant essays on the work of women playwrights, as well as solid coverage of the usual suspects. It is profitably innovative in terms of both structure and content. Many volumes with such a coverage remit fail to ever go much beyond the standard canonical playwrights and texts...a ‘must buy’ for all University libraries...this is a volume which will have currency for years to come."" New Theatre Quarterly ""Luckhurst argues for a reassessment of 'Englishness,' and, accordingly, this companion emphasizes postcolonial and feminist agendas and questions the dominance of urban locales and certain theatrical institutions...combined, the essays provide a necessary reassessment of British and Irish drama."" Choice “There is so much valuable material in the book that it is sure to be frequently read and consulted.” Donald Hawes, Reference Reviews"

Offers strong and accessible scholarship on major playwrights and aspects of theatrical history and historiography, and usefully reflects on its own practices and agendas, and will be extremely useful to students and theatre scholars. Cercles A Companion to Modern British and Irish Drama 1880-2005 is a much needed intervention in the field, with its substantial coverage of Irish drama and significant essays on the work of women playwrights, as well as solid coverage of the usual suspects. It is profitably innovative in terms of both structure and content. Many volumes with such a coverage remit fail to ever go much beyond the standard canonical playwrights and texts...a 'must buy' for all University libraries...this is a volume which will have currency for years to come. New Theatre Quarterly Luckhurst argues for a reassessment of 'Englishness,' and, accordingly, this companion emphasizes postcolonial and feminist agendas and questions the dominance of urban locales and certain theatrical institutions...combined, the essays provide a necessary reassessment of British and Irish drama. Choice There is so much valuable material in the book that it is sure to be frequently read and consulted. Donald Hawes, Reference Reviews

Offers strong and accessible scholarship on major playwrights and aspects of theatrical history and historiography, and usefully reflects on its own practices and agendas, and will be extremely useful to students and theatre scholars. Cercles A Companion to Modern British and Irish Drama 1880-2005 is a much needed intervention in the field, with its substantial coverage of Irish drama and significant essays on the work of women playwrights, as well as solid coverage of the usual suspects. It is profitably innovative in terms of both structure and content. Many volumes with such a coverage remit fail to ever go much beyond the standard canonical playwrights and texts...a ?must buy? for all University libraries...this is a volume which will have currency for years to come. New Theatre Quarterly Luckhurst argues for a reassessment of 'Englishness,' and, accordingly, this companion emphasizes postcolonial and feminist agendas and questions the dominance of urban locales and certain theatrical institutions...combined, the essays provide a necessary reassessment of British and Irish drama. Choice ?There is so much valuable material in the book that it is sure to be frequently read and consulted.? Donald Hawes, Reference Reviews

Offers strong and accessible scholarship on major playwrights and aspects of theatrical history and historiography, and usefully reflects on its own practices and agendas, and will be extremely useful to students and theatre scholars. Cercles A Companion to Modern British and Irish Drama 1880-2005 is a much needed intervention in the field, with its substantial coverage of Irish drama and significant essays on the work of women playwrights, as well as solid coverage of the usual suspects. It is profitably innovative in terms of both structure and content. Many volumes with such a coverage remit fail to ever go much beyond the standard canonical playwrights and texts...a ?must buy? for all University libraries...this is a volume which will have currency for years to come. New Theatre Quarterly Luckhurst argues for a reassessment of 'Englishness,' and, accordingly, this companion emphasizes postcolonial and feminist agendas and questions the dominance of urban locales and certain theatrical institutions...combined, the essays provide a necessary reassessment of British and Irish drama. Choice ?There is so much valuable material in the book that it is sure to be frequently read and consulted.? Donald Hawes, Reference Reviews

While it not does not revolutionise standard approaches to the field, this Companion offers strong and accessible scholarship on major playwrights and aspects of theatrical history and historiography, and usefully reflects on its own practices and agendas, and will be extremely useful to students and theatre scholars. ( Cercles , 1 October 2011)

Author Information

Mary Luckhurst is Senior Lecturer in Modern Drama at the University of York. She is the author of Dramaturgy: A Revolution in Theatre (2006), co-author of The Drama Handbook: A Guide to Reading Plays (2002), and co-editor of Theatre and Celebrity in Britain, 1660-2000 (2005). She has also edited The Creative Writing Handbook: Techniques for New Writers (1996), On Directing: Interviews with Directors (1999), and On Acting: Interviews with Actors (2002). She was awarded a University of York outstanding teaching award in 2006 and is also one of the Higher Education Academy's National Teaching Fellows.

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