A Companion to Australian Cinema

Author:   Felicity Collins ,  Jane Landman ,  Susan Bye
Publisher:   John Wiley and Sons Ltd
ISBN:  

9781118942529


Pages:   608
Publication Date:   05 July 2019
Format:   Hardback
Availability:   Available To Order   Availability explained
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A Companion to Australian Cinema


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Author:   Felicity Collins ,  Jane Landman ,  Susan Bye
Publisher:   John Wiley and Sons Ltd
Imprint:   Wiley-Blackwell
Dimensions:   Width: 17.80cm , Height: 3.60cm , Length: 24.90cm
Weight:   1.043kg
ISBN:  

9781118942529


ISBN 10:   1118942523
Pages:   608
Publication Date:   05 July 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

About the Editors viii Notes on Contributors x Foreword xvi Tom O’Regan Acknowledgments xxiii Introduction: Australian Cinema Now 1 Felicity Collins, Jane Landman, and Susan Bye Part I An Indigenous Screen Culture 29 1 You Are Here: Living Maps of Deep Time, Clock Time 31 Felicity Collins 2 Charlie’s Country, Gulpilil’s Body 54 Corinn Columpar 3 Ivan Sen’s Cinematic Imaginary: Restraint, Complexity, and a Politics of Place 68 Anne Rutherford 4 Shadowing and Disruptive Temporality in Bangarra Dance Theatre’s Spear 89 Felicity Ford 5 Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen 107 Odette Kelada and Maddee Clark Part II An International Cinema 131 6 Another Green World: The Mad Max Series 133 Constantine Verevis 7 Is Everything Awesome?: The LEGO Movie and the Australian Film Industry 149 Ben Goldsmith 8 Jane Campion: Girlshine and the International Auteur 165 Lisa French 9 Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors’ Migration to Hollywood 184 P. David Marshall Part III A Minor Transnational Imaginary 205 10 Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations 207 James Bennett 11 Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries 228 Helen Grace 12 The Rocket: Small, Foreign‐Language Cinema 248 Olivia Khoo 13 Serangoon Road: The Convergent Culture of Minor Transnationalism 262 Audrey Yue Part IV An Auteur‐Genre‐Landscape Cinema 285 14 An Independent Spirit: Robert Connolly as Auteur‐Producer 287 Susan Bye 15 Disruptive Daughters: The Heroine’s Journey in Four Films 313 Diana Sandars 16 Atopian Landscapes: Gothic Tropes in Australian Cinema 336 Jane Stadler 17 Spirits Do Come Back: Bunyips and the European Gothic in The Babadook 355 Stephen Gaunson Part V A Televisual Industry 371 18 Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence 373 Amanda Malel Trevisanut 19 Quality vs Value: The Case of The Kettering Incident 391 Sue Turnbull and Marion McCutcheon 20 The Evolution of Matchbox Pictures: A New Business Model 416 Helen Goritsas and Ana Tiwary 21 Schapellevision: Screen Aesthetics and Asian Drug Stories 442 Anthony Lambert Part VI A Multiplatform Ecology 461 22 CHURN: Cinema Made Sometime Last Night 463 Ross Gibson 23 Over the Horizon: YouTube Culture Meets Australian Screen Culture 472 Stuart Cunningham and Adam Swift 24 Digital Transmedia Forms and Transnational Documentary Networks 493 Deane Williams 25 Ecological Relations: FalconCam in Conversation with The Back of Beyond 508 Belinda Smaill 26 Where Am I?: The Terror of Terra Nullius 525 Norie Neumark Index 537

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Author Information

Felicity Collins is Reader/Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia. She is author of The Films of Gillian Armstrong and Australian Cinema after Mabo. Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia. She is author of The Tread of a White Man's Foot: Australian Pacific Colonialism and the Cinema 1925–1962. Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. She has published widely in the field of film, television and media history.

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