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Excerpt from A Catalogue of Sculpture, Vol. 3: In the Department of Greek and Roman Antiquities British Museum The portraits fall into two classes, (1) those of celebrated Greeks of whom presumably in most instances there had existed contemporary portraits for the Gracco - Roman sculptor to Oopy from, and (2) those of eminent Romans. In the former, however poor the copy, it is generally easy to recognise the methods of the original Greek sculptor, whose technique, derived from the great age of ideal sculpture, gives tone to the details of feature and expres sion. To a considerable extent this Greek method of portraiture survives in the busts of Romans towards the end of the Republic and in the earlier part of the Empire. But from the time of Trajan onwards the Roman artists appear to have been mostly content with the easiest method of obtaining an effective likeness. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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