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OverviewHow new media art informed by feminism yields important and original insights about interacting with technologies In A Capsule Aesthetic, Kate Mondloch examines how new media installation art intervenes in the fields of technoscience and new materialism, showing how three diverse artists—Pipilotti Rist, Patricia Piccinini, and Mariko Mori—contribute to the urgent conversation about everyday technology and the ways it constructs our bodies. A Capsule Aesthetic establishes the unique insights that feminist theory offers to new media art and new materialisms, offering a fuller picture of human–nonhuman relations. In-depth readings of works by Rist, Piccinini, and Mori explore such questions as the role of the contemporary art museum in our experience of media art, how the human is conceived of by biotechnologies, and how installation art can complicate and enrich contemporary science’s understanding of the brain. With vivid, firsthand descriptions of the artworks, Mondloch takes the reader inside immersive installation pieces, showing how they allow us to inhabit challenging theoretical concepts and nonanthropomorphic perspectives. Striving to think beyond the anthropocentric and fully consider the material world, A Capsule Aesthetic brings new approaches to questions surrounding our technology-saturated culture and its proliferation of human-to-nonhuman interfaces. Full Product DetailsAuthor: Kate MondlochPublisher: University of Minnesota Press Imprint: University of Minnesota Press Dimensions: Width: 14.00cm , Height: 2.50cm , Length: 21.60cm ISBN: 9781517900489ISBN 10: 1517900484 Pages: 168 Publication Date: 23 January 2018 Audience: General/trade , Professional and scholarly , General , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Temporarily unavailable  The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of ContentsContents 1. Eye Desire: New Media Art and New Materialisms after Feminism 2. Thinking through Feminism: The Critical Legacy of 1970s and 1980s Feminist Media Art and Theory 3. Critical Proximity: Pipilotti Rist’s Exhibited Interfaces and the Contemporary Art Museum 4. Unbecoming Human: Patricia Piccinini’s Bioart and Postanthropocentric Posthumanism 5. Mind over Matter: Mariko Mori, Art History, and the Neuroscientific Turn Conclusion Acknowledgments Notes IndexReviewsMondloch shows that new media art installations and theories of feminist materialism inform one another in ways of interest to artists, art historians, and new media and feminist scholars. -CHOICE Mondloch's approach couples aesthetics and ethics through activist prose that is unafraid to embrace populism or pleasure, or to revisit theoretical and historical misreadings of the past (and present). This book does not attempt to explain anything. Rather, it practices, and invites us to practice, conceptual-material engagements with art, and thus sensation, perception, and action. Such practice, the author convincingly argues over the entirety of her manuscript, is intrinsically feminist. -Theory & Event Author InformationKate Mondloch is professor of contemporary art and head of the Department of the History of Art and Architecture at the University of Oregon. She is author of Screens: Viewing Media Installation Art (Minnesota, 2010). Tab Content 6Author Website:Countries AvailableAll regions |
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