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9780091958930

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the pleasure of the book is in the straightforward human responses ... simplicity scores higher than writerly rhetoric -- Libby Purves The Times a marvellous collection -- Arifa Akbar Independent it is the pain, suffering and confusion that dominates this impressive work, the reality of warfare summed up by Private Frank Cocker, who wrote from the front in 1915 following the loss of his brother, My heart is so stunned I don't know whether it is broken or not. Daily Express

the pleasure of the book is in the straightforward human responses . . . simplicity scores higher than writerly rhetoric -- Libby Purves * The Times * As you would expect from [. . .] Sebastian Faulks, the selections have extraordinary literary power . . . they speak with distinctive voices, which echo in the mind. -- Charles Moore * Daily Telegraph * a marvellous collection -- Arifa Akbar * Independent * it is the pain, suffering and confusion that dominates this impressive work, the reality of warfare summed up by Private Frank Cocker, who wrote from the front in 1915 following the loss of his brother, My heart is so stunned I don't know whether it is broken or not. * Daily Express * It is very much the First World War anthology for our time. * Evening Standard *

the pleasure of the book is in the straightforward human responses ... simplicity scores higher than writerly rhetoric -- Libby Purves The Times As you would expect from [...] Sebastian Faulks, the selections have extraordinary literary power ... they speak with distinctive voices, which echo in the mind. -- Charles Moore Daily Telegraph a marvellous collection -- Arifa Akbar Independent it is the pain, suffering and confusion that dominates this impressive work, the reality of warfare summed up by Private Frank Cocker, who wrote from the front in 1915 following the loss of his brother, My heart is so stunned I don't know whether it is broken or not. Daily Express It is very much the First World War anthology for our time. Evening Standard

the pleasure of the book is in the straightforward human responses ... simplicity scores higher than writerly rhetoric -- Libby Purves The Times a marvellous collection -- Arifa Akbar Independent it is the pain, suffering and confusion that dominates this impressive work, the reality of warfare summed up by Private Frank Cocker, who wrote from the front in 1915 following the loss of his brother, My heart is so stunned I don't know whether it is broken or not. Daily Express It is very much the First World War anthology for our time. Evening Standard This is a unique collection of contemporary accounts - and just as compelling as the work of any historian. The Scotsman

It is very much the First World War anthology for our time. * Evening Standard * it is the pain, suffering and confusion that dominates this impressive work, the reality of warfare summed up by Private Frank Cocker, who wrote from the front in 1915 following the loss of his brother, My heart is so stunned I don't know whether it is broken or not. * Daily Express * a marvellous collection -- Arifa Akbar * Independent * As you would expect from [. . .] Sebastian Faulks, the selections have extraordinary literary power . . . they speak with distinctive voices, which echo in the mind. -- Charles Moore * Daily Telegraph * the pleasure of the book is in the straightforward human responses . . . simplicity scores higher than writerly rhetoric -- Libby Purves * The Times *

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Sebastian Faulks (External Editor) Sebastian Faulks has written nineteen books, of which A Week in December and The Fatal Englishman were number one in the Sunday Times bestseller lists. He is best known for Birdsong, part of his French trilogy, and Human Traces, the first in an ongoing Austrian trilogy. Before becoming a full-time writer, he worked as a journalist on national papers. He has also written screenplays and has appeared in small roles on stage. He lives in London. Hope Wolf (External Editor) Hope Wolf is a Research Fellow in English at Girton College, the University of Cambridge. Her main interests are in modern and contemporary literature, life writing and culture. She holds a PhD from King's College London, and her doctoral research focused on archives at the Imperial War Museum.

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