Overview

When a fall from the mast leaves Alba unable to sail, he finally has the chance to run away from his family debts in search of a better life. He hopes to reunite with his mother, Edythe, where they always promised to meet, but finding the town of Moon Harbor proves a greater challenge than Alba expected. Worse, upon arriving, no one seems to know anyone by the name Edythe. Taking a job as the local lighthouse keeper while waiting for her to come, Alba attempts to find peace in his stolen freedom--but the sea has other plans. First come the shadows, then the voices, then watery trails left on the floor. He's inundated with erotic dreams of sirens calling to him, and distant singing haunts his waking hours. After a debtor catches up with him and he's forced to dispose of their body, Alba is interrupted by Eridanys, the last merrow of Moon Harbor, who curses him from leaving until he can find out what happened to the other merrow that once filled those waters. Eridanys' demands are exhausting and endless--but as their relationship deepens, and Moon Harbor's secrets are butterflied open to see, it becomes clear they may both be prey to the town. Contains mature themes.

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Author Information

Kellen Graves is a queer writer and artist from the Pacific Northwest, where they live with their partner, two cats, and crystal collection. Adi Cabral is a classically trained actor, dialect coach, and intimacy director holding their MFA in theater performance from Arizona State University. Their work has been shared on stage at the Arvada Center for the Arts and Humanities (Colorado), the Repertory Theatre of St. Louis (Missouri), New Repertory Theatre (Massachusetts), the Stella Adler Studio of Acting (New York), Mildred's Umbrella Theatre Company (Texas), The New Hazlett Theater (Pennsylvania), The Hangar Theatre Company (New York), Central Square Theatre (Massachusetts), Latino Theater Company (California), and the Edinburgh Fringe Festival (Scotland, UK). Adi is a certified teacher of Fitzmaurice Voicework and Knight-Thompson Speechwork. As a professor of theater, voice, and movement, their research focuses on inclusive practices for training LGBTQ+ identified actors.

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