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OverviewFull Product DetailsAuthor: Thomas Morgan EvansPublisher: Bloomsbury Publishing PLC Imprint: I.B. Tauris Dimensions: Width: 13.80cm , Height: 1.80cm , Length: 21.40cm Weight: 0.320kg ISBN: 9781784534288ISBN 10: 1784534285 Pages: 224 Publication Date: 20 March 2017 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsIntroduction: Portraits Chapter One: Locating the Sculptural Chapter Two: 'Sublime but compulsive negation': Brillo Boxes Chapter Three: Atmosphere Chapter Four: The Artwork Across the Street Chapter Five: A Waste of Space ConclusionReviews'3D Warhol is a fascinating exploration of a facet of Warhol's work that is often ignored. Thomas Morgan Evans examines Warhol as an artist rather than a media personality, comparing his work to a wide selection of contemporaries including Basquiat, Mel Bochner, Wolfgang Tillmans, Donald Judd, Carl Andre and Jeff Koons. This book is indispensable for anyone interested in the work of Andy Warhol... highly recommended.' - Gary Comenas, Founder of Warholstars.org; 'By critically investigating the artist's underappreciated sculptural work, 3D Warhol fills a crucial gap in Warhol scholarship. And it does so with aplomb, delving confidently into a wide range of familiar and unfamiliar objects, illuminating the ways in which they exploit and undermine traditional sculptural aesthetics. At once erudite and accessible, 3D Warhol provides an ideal introduction to the depth and breadth of Warhol's remarkable career.' - Anthony Grudin, Associate Professor of Art History, University of Vermont The value of the sourcebook is considerable for those interested in the philosophical development and historical practice of the IWMA. * Marx & Philosophy Society * Author InformationThomas Morgan Evans is a Henry Moore Post-Doctoral Fellow. He has a PhD in art history from University College London and has taught there and at the Courtauld Institute of Art. He has written criticism for Art History and The Burlington Magazine, and has worked for the Tate, the ICA and for LUX. Tab Content 6Author Website:Countries AvailableAll regions |