Overview

Full Product Details

Author:   Dor Fadlon
Publisher:   Springer International Publishing AG
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2022
Weight:   0.389kg
ISBN:  

9783031128233

ISBN 10:   3031128230
Pages:   283
Publication Date:   17 December 2023
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Chapter 1. Introduction.- Part I: History and Trauma in 3-D Cinema of The Fifties.- Chapter 2. They Won’t Believe It Back Home: 3-D Cinema, Trauma, and Representation.- Chapter 3.  Films that Ache, Films that Injure: 3-D Cinema and The Body.- Chapter 4. Any-space-whatever and Radioactive Fossils: 3-D cinema meets Deleuze.- Part II: Digital 3-D Cinema and September 11.- Chapter 5. Which Story to Believe? Mediating Trauma in Digital 3-D Cinema.- Chapter 6. Becoming Bodies and Empowering Kinaesthesia.- Chapter 7. From Bodies to Worlding.- Chapter 8. Deleuze and The Traumatic Temporalities of Digital 3-D Cinema.- Part III: Ongoing Fascinations.- Chapter 9. Documentary and 3-D cinema: Preserving Absence.- Chapter 10. 3-D Sex.- Chapter 11. 3-D Horror Cinema of The Eighties.- Chapter 12. Conclusion.

Reviews

Author Information

Dor Fadlon is a researcher and filmmaker exploring the intersections of cinema, technology, and culture. He holds a PhD from Victoria University of Wellington and was a Golda Meir Postdoctoral Fellow in the Noah Mozes Department of Communication and Journalism, Hebrew University Of Jerusalem. Currently Dor is a lecturer at Steve Tisch School of Film and Television, Tel Aviv University, where he offers courses on film and visual culture, including violence on screen, film and technology and 3D Cinema.

Tab Content 6

Author Website:  

Customer Reviews

Recent Reviews

No review item found!

Add your own review!

Countries Available

All regions