Overview

Described as the most widely read and influential serious writer of the twentieth century, George Orwell remains relevant in our own era of contested media. He continues to attract a large readership. This book is about Orwell’s post-war cultural moment c. 1948. Taking his Diaries of the time as inspiration, together with his famous final novel, 1984 (published 1949), and treating them as contiguous texts, Brian May considers the gaps, equivocations, and contradictions in Orwell's message and asks what Orwell would have written next. But 1948 is more than a work of literary criticism: rather, it balances critical discussion with creative intervention, being one-half literary-critical commentary, and one-half fictional departure – a novella titled “From the Archives of Oceania,” which quotes, parodies and pastiches Orwell's Diaries, offering a possible prequel. Together these elements offer a resource for the reader to interrogate anew such difficult issues as Orwell's sexism and anti-Semitism; to explore the tensions between various intertwining strands of thought that cast Orwell as both realist and idealist, Puritan and individualist; and to better understand Orwell's curious affection for the natural world. 1948 will appeal to all readers and critics of Orwell, but also to students of dystopian fiction, ""revisionary"" fiction and  ""reception study,"" which highlights the audience’s contribution to an artwork's meaning.

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9781804132289

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Reviews

At the centre of this dense, extraordinary book lies a powerful novella... As well as mashing together Orwell’s life and fiction, the novella elegantly draws in some distressing contemporary issues. Evocative images of othered people on boats in perilous conditions, and the chilling consequences of leaving antisemitism unchallenged, are haunting... It slowly builds to a believable yet horrifying conclusion which would stand up well in comparison to the iconic end of Nineteen Eighty-Four. -- Nicola Rossi, The Orwell Society ...insightful and intriguing -- Peter Stansky * Style * May should be commended foremost for the innovative approach that he takes in this book, a hybrid of creative interpretation, conventional literary scholarship, and teaching tool... Recommended. -- Derek C. Maus * Choice * ...a small masterpiece in the postmodern melding of fictional and nonfictional narratives, a treat for the experienced Orwell scholar and possibly also for the well-informed graduate student... an enjoyable and thought-provoking read. -- Martha C. Carpentier * Modern Fiction Studies *

At the centre of this dense, extraordinary book lies a powerful novella... As well as mashing together Orwell’s life and fiction, the novella elegantly draws in some distressing contemporary issues. Evocative images of othered people on boats in perilous conditions, and the chilling consequences of leaving antisemitism unchallenged, are haunting... It slowly builds to a believable yet horrifying conclusion which would stand up well in comparison to the iconic end of Nineteen Eighty-Four. -- Nicola Rossi, The Orwell Society ...insightful and intriguing -- Peter Stansky * Style * May should be commended foremost for the innovative approach that he takes in this book, a hybrid of creative interpretation, conventional literary scholarship, and teaching tool... Recommended. -- Derek C. Maus * Choice *

Author Information

Professor of English at Northern Illinois University just west of Chicago, Brian May is the author of two previous books, Extravagant Postcolonialism: Modernism and Modernity in Anglophone Fiction, 1958–1988 (2014) and The Modernist as Pragmatist: E.M. Forster and the Fate of Liberalism (1996).  

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