Techno-Magism: Media, Mediation, and the Cut of Romanticism

Awards:   Short-listed for Marilyn Gaull Book Award 2022
Author:   Orrin N. C. Wang
Publisher:   Fordham University Press
ISBN:  

9780823298488


Pages:   240
Publication Date:   04 January 2022
Format:   Paperback
Availability:   In Print   Availability explained
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Techno-Magism: Media, Mediation, and the Cut of Romanticism


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Awards

  • Short-listed for Marilyn Gaull Book Award 2022

Overview

Full Product Details

Author:   Orrin N. C. Wang
Publisher:   Fordham University Press
Imprint:   Fordham University Press
ISBN:  

9780823298488


ISBN 10:   0823298485
Pages:   240
Publication Date:   04 January 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction | 1 Constellations 1. Techno-Magism, Coleridge’s Mariner, and the Sentence Image | 33 2. Two Pipers and the Cliché of Romanticism | 53 3. The Gothic Zany | 78 4. Prometheus Unbound and Commemorative Thought | 102 5. After Life: Byron’s Manfred and the Umwelt | 123 Cuts 6. Play Time: Austen, Byron, and Mary Shelley | 149 7. Chthonic Michael: Smithson, Lévi-Strauss, Freud, Wordsworth | 175 8. Dream Animals | 196 Acknowledgments | 223 Index | 225

Reviews

Techno-Magism is an incisive intervention in the growing conversation about the relevance of Romanticism to media studies and media theory. Wang's book is finely attuned to those latter disciplines' go-to theoretical touchstones (from Hegel to Adorno and Benjamin to Kittler and Guillory), as well as to the usual histories it paints. But it is equally alive to what Romanticism-as historical period, a constellation of literary texts or modes, and a still-developing set of theoretical and philosophical commitments-has surreptitiously brought and might yet bring to the broader discussion of what media is and does. -- Andrew Warren, Harvard University


Author Information

Orrin N. C. Wang is Professor of English and Comparative Literature at the University of Maryland, College Park. He is the author of Fantastic Modernity: Dialectical Readings in Romanticism and Theory (Johns Hopkins University Press, 1996) and Romantic Sobriety: Sensation, Revolution, Commodification, History (Johns Hopkins University Press, 2011), which won the 2011 Jean-Pierre Barricelli Prize, and editor of “Frankenstein” in Theory: A Critical Anatomy (Bloomsbury, 2021). He is the General Editor of Romantic Circles and recipient of the 2020 Keats-Shelley Association of America Distinguished Scholar Award.

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