Overview

The poems of this fourth collection from Wayne Miller exist in the wake of catastrophe, thrumming with pathos and humor, pain and the beauty of living. Post- coalesces around three primary occurrences: the birth of a child, the death of a father, and the seeming explosion of sociohistorical and political conflict and violence over the past fifteen years. Its world is one populated by rogue gunmen on shooting sprees, where the only inheritance a father has to pass on is his debt, where a car left in an airport parking lot and the coffee cup inside are more immediate presences of the dead. Young rioters leave chaos behind each evening, returning home to watch themselves on the evening news. The unzipping of snow from train tracks evokes the surgery of a family member. Lovers, drinking wine and rowing on a lake, find joy within and without a system that sees them only as consumers. Beginnings and endings, loss and rebirth, body and spirit: in Post-, Miller processes grief, but also cuts through pain, gorgeously and heartbreakingly, to open up a way forward. Winter permeates these poems—and yet spring is always beckoning in the next.

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9781571314703

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Praise for Post- In these poems, we see the way the world around us is layered by confrontation, love, and remembrance. And whether it is the birth of a child, the death of a father, the various ways we ve found to kill each other, or the aftermath of a riot in response to those killings, we carry it all forward with us, in memory and action, and we give it to those who follow us. Adrian Matejka What do we owe the living and the dead? It's a question that confronts all of us, personally and collectively, during our time on earth. In Post-, Wayne Miller engages this question with grim wit and empathy, strong music and imagery, in poems alive to the intersections of the domestic and political. I found myself, chagrined, involved, in every poemthis is a moving, thought-provoking book. Dana Levin This is poetry at its most powerful: instrument of change, defense against the commonplace of mall shooters and hoax bombs, deeply entered wisdom of the body in both birth and dying, and a bastion against loss and forgetting. Wayne Miller s Post- doesn t take this century lying down, it is a ringing rejoinder to those who say poetry does not matter. In Miller s lines, we hear the ancient magic of sorrow transformed to hope, elegy bent back around to ode. D. A. Powell Praise for Wayne Miller Wayne Miller is among the best poets in the USA at the moment. Notre Dame Review Miller makes a vast impact using the smallest stroke. The New Yorker Miller remains a poet to watch, and one who strives to separate/ the seeing from what s seen. Publisher s Weekly (starred review)

Praise for Post- In these poems, we see the way the world around us is layered by confrontation, love, and remembrance. And whether it is the birth of a child, the death of a father, the various ways we ve found to kill each other, or the aftermath of a riot in response to those killings, we carry it all forward with us, in memory and action, and we give it to those who follow us. Adrian Matejka Part stark elegy where the ghosts we carry are relentlessly tied to us, part unrelenting look into today s world of social media, loneliness, and violence, and part fierce celebration of survival, Post- is a gorgeous and complex book of poems that both startles and soothes. Ada Limon What do we owe the living and the dead? It's a question that confronts all of us, personally and collectively, during our time on earth. In Post-, Wayne Miller engages this question with grim wit and empathy, strong music and imagery, in poems alive to the intersections of the domestic and political. I found myself, chagrined, involved, in every poemthis is a moving, thought-provoking book. Dana Levin This is poetry at its most powerful: instrument of change, defense against the commonplace of mall shooters and hoax bombs, deeply entered wisdom of the body in both birth and dying, and a bastion against loss and forgetting. Wayne Miller s Post- doesn t take this century lying down, it is a ringing rejoinder to those who say poetry does not matter. In Miller s lines, we hear the ancient magic of sorrow transformed to hope, elegy bent back around to ode. D. A. Powell Praise for Wayne Miller Wayne Miller is among the best poets in the USA at the moment. Notre Dame Review Miller makes a vast impact using the smallest stroke. The New Yorker Miller remains a poet to watch, and one who strives to separate/ the seeing from what s seen. Publisher s Weekly (starred review)

Praise for Post- In these poems, we see the way the world around us is layered by confrontation, love, and remembrance. And whether it is the birth of a child, the death of a father, the various ways we've found to kill each other, or the aftermath of a riot in response to those killings, we carry it all forward with us, in memory and action, and we give it to those who follow us. --Adrian Matejka Part stark elegy where the ghosts we carry are relentlessly tied to us, part unrelenting look into today's world of social media, loneliness, and violence, and part fierce celebration of survival, Post- is a gorgeous and complex book of poems that both startles and soothes. --Ada Limon What do we owe the living and the dead? It's a question that confronts all of us, personally and collectively, during our time on earth. In Post-, Wayne Miller engages this question with grim wit and empathy, strong music and imagery, in poems alive to the intersections of the domestic and political. I found myself, chagrined, involved, in every poem--this is a moving, thought-provoking book. --Dana Levin This is poetry at its most powerful: instrument of change, defense against the commonplace of mall shooters and hoax bombs, deeply entered wisdom of the body in both birth and dying, and a bastion against loss and forgetting. Wayne Miller's Post- doesn't take this century lying down, it is a ringing rejoinder to those who say poetry does not matter. In Miller's lines, we hear the ancient magic of sorrow transformed to hope, elegy bent back around to ode. --D. A. Powell Praise for Wayne Miller Wayne Miller is among the best poets in the USA at the moment. --Notre Dame Review Miller makes a vast impact using the smallest stroke. --The New Yorker Miller remains a poet to watch, and one who strives to 'separate/ the seeing from what's seen. --Publisher's Weekly (starred review)

Author Information

Wayne Miller is the author of three previous collections of poetry: The City, Our City, The Book of Props, and Only the Senses Sleep. He's also a cotranslator of two books from the Albanian poet Moikom Zeqo and a coeditor of three books, including New European Poets with Kevin Prufer and Literary Publishing in the Twenty-First Century with Travis Kurowski and Kevin Prufer. The recipient of the Bess Hokin Prize, the George Bogin Award, and a Ruth Lilly Fellowship, as well as a finalist for the William Carlos Williams Award and the Rilke Prize, Miller teaches at the University of Colorado Denver, where he edits Copper Nickel.

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