Overview

In this bold, fascinating book, Eula Biss addresses a chronic condition of fear – fear of the government, the medical establishment, and what may be in your children’s air, food, mattresses, medicines, and vaccines. Reflecting on her own experience as a new mother, Biss investigates the metaphors and myths surrounding our conception of immunity and its implications for the individual and the social body. She extends a conversation with other mothers to meditations on Voltaire’s Candide , Bram Stoker’s Dracula, Rachel Carson’s Silent Spring, Susan Sontag’s AIDS and Its Metaphors, and beyond. On Immunity is an inoculation against our fear and a moving account of how we are all interconnected – our bodies and our fates.

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9781913097400

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Reviews

'Sontag said she wrote Illness as Metaphor to calm the imagination, not to incite it, and On Immunity also seeks to cool and console. But where Sontag was imperious, Biss is stealthy. She advances from all sides, like a chess player, drawing on science, myth, literature to herd us to the only logical end, to vaccinate.' - Parul Sehgal, The New York Times 'Mesmerizing' - New Yorker 'On Immunity is brave because it will attract hostility from those she implies are selfish or misguided in refusing to vaccinate. Her arguments are profoundly compelling, and her narratives are braided together with beauty and elegance. The book is itself an inoculation - it grafts and unites different traditions of the essay, and in doing so creates something stronger and more resilient. And its urgent message is an inoculation against ignorance and fearmongering: may it spread out through the world, bringing substance and common sense to the vaccination debate.' - Gavin Francis, Guardian 'Like so many great nonfiction classics, On Immunity will teach, provoke, chafe, inspire, haunt, and likely change its many readers. Its central, difficult, and ecstatic premise - that we owe each other our bodies - couldn't be more urgent, as the question of how we contend with this interdependence, this collectivity, is fundamental to our human present and future.' - Maggie Nelson, author of The Argonauts

'Sontag said she wrote Illness as Metaphor to calm the imagination, not to incite it, and On Immunity also seeks to cool and console. But where Sontag was imperious, Biss is stealthy. She advances from all sides, like a chess player, drawing on science, myth, literature to herd us to the only logical end, to vaccinate.' - Parul Sehgal, The New York Times 'Mesmerizing' - New Yorker 'On Immunity is brave because it will attract hostility from those she implies are selfish or misguided in refusing to vaccinate. Her arguments are profoundly compelling, and her narratives are braided together with beauty and elegance. The book is itself an inoculation - it grafts and unites different traditions of the essay, and in doing so creates something stronger and more resilient. And its urgent message is an inoculation against ignorance and fearmongering: may it spread out through the world, bringing substance and common sense to the vaccination debate.' - Gavin Francis, Guardian 'Like so many great nonfiction classics, On Immunity will teach, provoke, chafe, inspire, haunt, and likely change its many readers. Its central, difficult, and ecstatic premise - that we owe each other our bodies - couldn't be more urgent, as the question of how we contend with this interdependence, this collectivity, is fundamental to our human present and future.' - Maggie Nelson, author of The Argonauts

'Like so many great nonfiction classics, ON IMMUNITY will teach, provoke, chafe, inspire, haunt, and likely change its many readers. Its central, difficult, and ecstatic premise - that we owe each other our bodies - couldn't be more urgent, as the question of how we contend with this interdependence, this collectivity, is fundamental to our human present and future.' - Maggie Nelson, author of THE ARGONAUTS

Author Information

Eula Biss is the author of The Balloonists, Notes from No Man’s Land: American Essays, which received the Graywolf Press Nonfiction Prize and the National Book Critics Circle Award in Criticism, and On Immunity. Her essays have appeared in The Best American Nonrequired Reading and The Best Creative Nonfiction, as well as in the Believer and Harper’s. Her writing has been supported by fellowships from the Guggenheim Foundation, the Howard Foundation, and the National Endowment for the Arts. Biss holds a BA from Hampshire College and an MFA in Nonfiction Writing from the University of Iowa. She teaches at Northwestern University and lives in Chicago.

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