Mystery and Manners: Occasional Prose

Author:   Flannery O'Connor
Publisher:   Farrar, Straus & Giroux Inc
ISBN:  

9780374508043


Pages:   256
Publication Date:   01 January 1969
Format:   Paperback
Availability:   In Print   Availability explained
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Mystery and Manners: Occasional Prose


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Full Product Details

Author:   Flannery O'Connor
Publisher:   Farrar, Straus & Giroux Inc
Imprint:   Farrar, Straus & Giroux Inc
Dimensions:   Width: 14.00cm , Height: 2.00cm , Length: 20.80cm
Weight:   0.227kg
ISBN:  

9780374508043


ISBN 10:   0374508046
Pages:   256
Publication Date:   01 January 1969
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Flannery O'Connor ranks with Mark Twain and Scott Fitzgerald among our finest prose stylists. Her epigrams alone are worth the price of the book . . . which should be read by every writer and would-be writer and lover of writing. --John Leonard, The New York Times <br> [O'Connor] was not just the best 'woman writer' of [her] time and place; she expressed something secret about America, called 'the South, ' with that transcendent gift for expressing the real spirit of a culture that is conveyed by those writers . . . who become nothing but what they see. Completeness is one word for it: relentlessness [and] unsparingness would be others. She was a genius. --Alfred Kazin, The New York Times Book Review <br>


Flannery O'Connor ranks with Mark Twain and Scott Fitzgerald among our finest prose stylists. Her epigrams alone are worth the price of the book . . . which should be read by every writer and would-be writer and lover of writing. --John Leonard, The New York Times [O'Connor] was not just the best 'woman writer' of [her] time and place; she expressed something secret about America, called 'the South, ' with that transcendent gift for expressing the real spirit of a culture that is conveyed by those writers . . . who become nothing but what they see. Completeness is one word for it: relentlessness [and] unsparingness would be others. She was a genius. --Alfred Kazin, The New York Times Book Review Flannery O'Connor ranks with Mark Twain and Scott Fitzgerald among our finest prose stylists. Her epigrams alone are worth the price of the book . . . which should be read by every writer and would-be writer and lover of writing. John Leonard, The New York Times [O'Connor] was not just the best 'woman writer' of [her] time and place; she expressed something secret about America, called 'the South, ' with that transcendent gift for expressing the real spirit of a culture that is conveyed by those writers . . . who become nothing but what they see. Completeness is one word for it: relentlessness [and] unsparingness would be others. She was a genius. Alfred Kazin, The New York Times Book Review Flannery O'Connor ranks with Mark Twain and Scott Fitzgerald among our finest prose stylists. Her epigrams alone are worth the price of the book . . . which should be read by every writer and would-be writer and lover of writing. John Leonard, The New York Times [O'Connor] was not just the best 'woman writer' of [her] time and place; she expressed something secret about America, called 'the South, ' with that transcendent gift for expressing the real spirit of a culture that is conveyed by those writers . . . who become nothing but what they see. Completeness is one word for it: relentlessness [and] unsparingness would be others. She was a genius. Alfred Kazin, The New York Times Book Review Flannery O'Connor ranks with Mark Twain and Scott Fitzgerald among our finest prose stylists. Her epigrams alone are worth the price of the book . . . which should be read by every writer and would-be writer and lover of writing. --John Leonard, The New York Times [O'Connor] was not just the best 'woman writer' of [her] time and place; she expressed something secret about America, called 'the South, ' with that transcendent gift for expressing the real spirit of a culture that is conveyed by those writers . . . who become nothing but what they see. Completeness is one word for it: relentlessness [and] unsparingness would be others. She was a genius. --Alfred Kazin, The New York Times Book Review


Flannery O'Connor ranks with Mark Twain and Scott Fitzgerald among our finest prose stylists. Her epigrams alone are worth the price of the book . . . which should be read by every writer and would-be writer and lover of writing. --John Leonard, The New York Times <br><br> [O'Connor] was not just the best 'woman writer' of [her] time and place; she expressed something secret about America, called 'the South, ' with that transcendent gift for expressing the real spirit of a culture that is conveyed by those writers . . . who become nothing but what they see. Completeness is one word for it: relentlessness [and] unsparingness would be others. She was a genius. --Alfred Kazin, The New York Times Book Review <br>


Author Information

Flannery O'Connor (1925-1964) was one of America's most gifted writers. She wrote two novels, Wise Blood and The Violent Bear It Away, and two story collections, A Good Man Is Hard to Find and Everything That Rises Must Converge. Her Complete Stories, published posthumously in 1972, won the National Book Award that year, and in a 2009 online poll it was voted as the best book to have won the award in the contest's 60-year history. Her essays were published in Mystery and Manners and her letters in The Habit of Being.

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