Musical Composition in the Context of Globalizat – New Perspectives on Music History of the Twentieth and Twenty–First Century

Author:   Christian Utz,
Publisher:   Transcript Verlag
ISBN:  

9783837650952


Pages:   470
Publication Date:   10 December 2021
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Musical Composition in the Context of Globalizat – New Perspectives on Music History of the Twentieth and Twenty–First Century


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Overview

Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic.

Full Product Details

Author:   Christian Utz,
Publisher:   Transcript Verlag
Imprint:   Transcript Verlag
Dimensions:   Width: 15.50cm , Height: 1.50cm , Length: 23.90cm
Weight:   0.666kg
ISBN:  

9783837650952


ISBN 10:   3837650952
Pages:   470
Publication Date:   10 December 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.
Language:   English

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Christian Utz is a professor for music theory and music analysis at the University of Music and Performing Arts Graz and an associate professor at the University of Vienna. He directed the FWF-funded research projects A Context-Sensitive Theory of Post-tonal Sound Organization (2012-2014) and Performing, Experiencing and Theorizing Augmented Listening (2017-2020).

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