Free Delivery Over $100
|
|
|||
|
||||
OverviewFull Product DetailsAuthor: Will Abberley (University of Sussex)Publisher: Cambridge University Press Imprint: Cambridge University Press Dimensions: Width: 16.00cm , Height: 2.00cm , Length: 23.40cm Weight: 0.610kg ISBN: 9781108477598ISBN 10: 1108477593 Pages: 308 Publication Date: 11 June 2020 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction. Adaptive appearance in nineteenth-century culture; 1. Seeing things: art, nature and science in representations of crypsis; 2. Divine displays: Charles Kingsley, hermeneutic natural theology and the problem of adaptive appearance; 3. Criminal chameleons: the evolution of deceit in Grant Allen's fiction; 4. Darwin's little ironies: evolution and the ethics of appearance in Thomas Hardy's fiction; 5. Blending in and standing out I: crypsis versus individualism in fin-de-siècle cultural criticism; 6. Blending in and standing out II: mimicry, display and identity politics in the literary activism of Israel Zangwill and Charlotte Perkins Gilman; Conclusion. Adaptive appearance and cultural theory.Reviews'Mimicry and Display does something rather wonderful: while you'll read Victorian and Edwardian literature from a new perspective, you'll also never see nature in quite the same way again.' Catherine Charlwood, British Association for Victorian Studies Newsletter 'This volume provides a cultural history of crypsis, an evolutionary phenomenon in which organisms protect themselves by modifying their appearance to hide within an environment or copy the features of more dominant organisms. Recommended.' M. C. Cohen, Choice 'Mimicry and Display fits nicely within the Cambridge Studies in Nineteenth-Century Literature and Culture series, which has done so much to expand the range of high-quality scholarship on topics related to science and nature, technology, environment, and medicine. The chapters on Allen, Hardy, and late-century cultural criticism are especially good, and the book displays how widely and deeply scientific accounts of mimicry and camouflage in the natural world reverberated through Victorian literary culture.' Jonathan Smith, Victorian Studies 'Mimicry and Display does something rather wonderful: while you'll read Victorian and Edwardian literature from a new perspective, you'll also never see nature in quite the same way again.' Catherine Charlwood, British Association for Victorian Studies Newsletter Author InformationWill Abberley is Senior Lecturer in Victorian Literature at the University of Sussex. His other books are English Fiction and the Evolution of Language 1850–1914 (2015) and Underwater Worlds: Submerged Visions in Science and Culture (2018). He is a BBC New Generation Thinker and Philip Leverhulme Prize recipient. Tab Content 6Author Website:Countries AvailableAll regions |
||||
