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OverviewIn How Do We Look? Fatimah Tobing Rony draws on transnational images of Indonesian women as a way to theorize what she calls visual biopolitics-the ways visual representation determines which lives are made to matter more than others. Rony outlines the mechanisms of visual biopolitics by examining Paul Gauguin's 1893 portrait of Annah la Javanaise-a trafficked thirteen-year-old girl found wandering the streets of Paris-as well as US ethnographic and documentary films. In each instance, the figure of the Indonesian woman is inextricably tied to discourses of primitivism, savagery, colonialism, exoticism, and genocide. Rony also focuses on acts of resistance to visual biopolitics in film, writing, and photography. These works, such as Rachmi Diyah Larasati's The Dance that Makes You Vanish, Vincent Monnikendam's Mother Dao (1995), and the collaborative films of Nia Dinata, challenge the naturalized methods of seeing that justify exploitation, dehumanization, and early death of people of color. By theorizing the mechanisms of visual biopolitics, Rony elucidates both its violence and its vulnerability. Full Product DetailsAuthor: Fatimah Tobing RonyPublisher: Duke University Press Imprint: Duke University Press Weight: 0.408kg ISBN: 9781478014607ISBN 10: 1478014601 Pages: 248 Publication Date: 25 January 2022 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsAcknowledgments ix Tongue 1 Introduction. How Do We Look? 3 The Peonies 24 1. Annah la Javanaise 27 Under the Tree 70 2. The Still Dancer 72 The Dressing Down 108 3. Mother Dao 110 Flight 147 4. Nia Dinata 148 Conclusion. The Fourth Eye 187 Notes 191 Bibliography 213 Index 225ReviewsFatimah Tobing Rony's passionate appeal for a different kind of filmmaking that might interrupt the representational violence of what she calls visual biopolitics animates every page of this innovative and important book. Building a powerful argument about how habitual ways of seeing and not seeing are produced, reproduced, and resisted via visual media, Rony makes a welcome and original contribution to both film studies and Southeast Asian studies. -- Karen Strassler, author of * Demanding Images: Democracy, Mediation, and the Image-Event in Indonesia * Fatimah Tobing Rony traces a fascinating visual archive across time, media, and sites of power, drawing out chilling resonances among primary media texts with great erudition, critical force, and lyricism. No other author is a sophisticated art historian, critical ethnographer, postcolonial feminist theorist, and filmmaker all in one. This powerful and remarkable book positions Rony as a brilliant and essential cultural voice. -- Patricia White, author of * Women's Cinema, World Cinema: Projecting Contemporary Feminisms * Author InformationFatimah Tobing Rony is Professor of Film and Media Studies at the University of California, Irvine, and author of The Third Eye: Race, Cinema, and Ethnographic Spectacle, also published by Duke University Press. Tab Content 6Author Website:Countries AvailableAll regions |
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