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OverviewIn this book, Bernardo Fonseca Machado examines the transnationalization of American Broadway and the resulting cultural exchanges between New York and São Paulo at the turn of the twenty-first century. Machado combines ethnography and history to track the complexities of discourses, imaginaries, and economic interests within the flow of musical people, capital, practices, pedagogies, and shows between these two cities. Full Product DetailsAuthor: Bernardo Fonseca Machado , Philip Badiz , David RodgersPublisher: Lexington Books Imprint: Lexington Books Dimensions: Width: 16.20cm , Height: 1.90cm , Length: 22.80cm Weight: 0.413kg ISBN: 9781793638175ISBN 10: 1793638179 Pages: 152 Publication Date: 07 February 2022 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsChapter 1: New Lights on Times Square Chapter 2: On São Paulo’s Stages Chapter 3: Acting Techniques and Universal Emotions Chapter 4: Selecting Differences: Local Bodies Chapter 5: Brazilian Migrants Acting in UsReviewsIn this lively and fascinating book, Bernardo Fonseca Machado takes readers from New York City to São Paulo, from theatre training schools to audition rooms to explore the interchange between US Broadway musicals and Brazilian theatre culture. Using a range of historical, archival, critical, and ethnographic methods, Machado paints a nuanced and complex picture of the lives of Brazilian students, professors, performers, and directors living in the United States. This book is an important, illuminating, and original addition to the field of global musical theatre studies. -- Stacy E. Wolf, Princeton University In this lively and fascinating book, Bernardo Fonseca Machado takes readers from New York City to Sao Paulo, from theatre training schools to audition rooms to explore the interchange between US Broadway musicals and Brazilian theatre culture. Using a range of historical, archival, critical, and ethnographic methods, Machado paints a nuanced and complex picture of the lives of Brazilian students, professors, performers, and directors living in the United States. This book is an important, illuminating, and original addition to the field of global musical theatre studies. -- Stacy E. Wolf, Princeton University Author InformationBernardo Fonseca Machado is postdoctoral fellow in the Department of Anthropology at the University of Campinas and researcher at the São Paulo Research Foundation. Tab Content 6Author Website:Countries AvailableAll regions |