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OverviewAnonymity practices in electronic music culture have long been the object of journalistic and academic discourse. Yet anonymity itself is ephemeral and ontologically precarious. How can scholars research anonymous entities without impairing their anonymity, and what can they learn from their precarity? This study describes two projects of anonymity performance as forms of critical practice (Judith Butler/Michel Foucault) involving performative play with anonymity through the use of fake identities or collaborative persona imaginations. Adopting a reflexive and performative writing style, this performance ethnography calls for a radical performative turn and an ontological reflexivity in the cultural studies of music. Full Product DetailsAuthor: Stefanie Kiwi MenrathPublisher: Transcript Verlag Imprint: Transcript Verlag Dimensions: Width: 14.70cm , Height: 1.50cm , Length: 22.60cm Weight: 0.666kg ISBN: 9783837642568ISBN 10: 3837642569 Pages: 250 Publication Date: 08 December 2021 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Out of stock  The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsReviewsAuthor InformationStefanie Kiwi Menrath teaches arts and cultural education, pop music studies, ethnography, and qualitative research methods. Since she finished her bi-national PhD at Goldsmiths in London and the University of Oldenburg in Germany, she has worked in Berlin on the intersection of practice and research with a focus on transcultural and diversity education and arts and science collaborations. Between 2014 and 2017, she was a research fellow in cultural education at the Alice Salomon University of Applied Sciences Berlin. Tab Content 6Author Website:Countries AvailableAll regions |
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