Overview

From the author of the bestselling Women in Black, an extraordinary novel about ordinary people. Alex and Andrew are friends. And Barbara ... Barbara is a goddess. Here is the eternal triangle, the story of three people in an unhappy tangle of emotions, none able to articulate the precise quality of their longing and dissatisfaction. Are any of them truly interested in reaching the 'paradise' they claim to be seeking, or are they actually trying to avoid it? In St. John's hands, what is commonplace is transformed and transcendent. This is the work of an extraordinary writer.

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9781925773095

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`Madeleine St John is brilliant on the elliptical way lovers talk to each other.' * Daily Telegraph * `St John proves herself a comic, humane observer.' * Newsday * `Not much in the way of folly escapes Madeleine St John, and the oubliette she opens into the darker reaches of the spirit is unsettling.' * The Times *

Author Information

MADELEINE ST JOHN was born in Sydney in 1941. Her father, Edward, was a barrister and Liberal politician. Her mother, Sylvette, committed suicide in 1954, when Madeleine was twelve. Her death, she later said, ‘obviously changed everything’. St John studied Arts at Sydney University, where her contemporaries included Bruce Beresford, Germaine Greer, Clive James and Robert Hughes. In 1965 she married Chris Tillam, a fellow student, and they moved to the United States where they first attended Stanford and later Cambridge. From Cambridge, St John relocated to London in 1968 with the hope that Chris would follow. The couple did not reunite and the marriage ended. St John settled in Notting Hill. She worked at a series of odd jobs, and then, in 1993, published her first novel, The Women in Black, the only book she set in Australia. When her third novel, The Essence of the Thing (1997), was shortlisted for the Man Booker Prize, she became the first Australian woman to receive this honour. St John died in 2006. She had been so incensed after seeing errors in a French edition of one of her novels that she stipulated in her will that there were to be no more translations of her work.

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