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Staff Review: Karen writes: In a year full of excellent Australian fiction Foal's Bread stands apart for me. I'll mention the contenders to give context. Gail Jones's Five Bells, Anna Funder's All That I Am, Charlotte Wood's Animal People Elliot Perlman's The Street Sweeper and Alex Miller's Autumn Laing are all marvellous. I wouldn't be a Miles Franklin judge for quids. I had such an emotional reaction to Foal's Bread ,and still do, that it's become my favourite novel of 2011. I've thought long and hard about why this is and it's because the characters of Noah or Noey as her family calls her, and her daughter Lainey have haunted me since my first reading a few months ago. The vulnerability and toughness of those women is echoed in the superbly rendered landscape in which they live. Mears brings this world, the landscape and the characters to life so vividly with prose so exquisite and lightly placed that I often paused to reread the sentence. The novel is set before WW2 in north east NSW. The land is beautiful but unforgiving. The Nancarrow and Child family scratch a living from it and are gifted horse people with a history of being prizewinning high-jump riders. In those days the country show high jump circuit was profitable and prestigious. Noah Child and Rowley Nancarrow meet at the local show, fall in love and begin their lives living with his family on One Tree Farm. Noey's toughness, learnt and innate, is her saviour and her downfall. There's a fierceness and courage in Noey that makes her immensely appealing. "Hope on, hope ever" is a family refrain that partly sustains her and makes for an ending so poignant that I blub still. It's a refrain that sounds a little corny in a modern context but feels very authentic when your head's in rural northern NSW with the Nancarrow family. Mears dialogue, with just the right vernacular, is crucial in the recreation of this world.<br />This book gave me goose bumps on the second reading and I am rarely moved to do a second reading.
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