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Author:   Tracy Cooper
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
ISBN:  

9781041190677

ISBN 10:   1041190670
Pages:   292
Publication Date:   01 December 2025
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

List of Illustrations, Introduction - Tracy E. Cooper, Temple University, 1. La Serenissima in Context: Women Artists in Venice and Beyond - Babette Bohn, Texas Christian University, 2. The Taiapiera in Fourteenth-Century Venice: What's in a Name? - Louise Bourdua, University of Warwick, 3. In Search of Marietta Tintoretta - Robert Echols, Independent Scholar, and Frederick Ilchman, Museum of Fine Arts Boston, 4. The Vite of Women Artists in Venice (Sixteenth to Eighteeth Century) - Antonis Digalakis, University of Crete, 5. Artists and Artisans in the Account Books of Marino Grimani, Patrician and Doge of Venice (Late Sixteenth-Early Seventeenth Centuries) - Maria Adank, Università degli Studi di Verona, 6. Chiara Varotari (1584/1585-after 1663) - Diana Gisolfi, Pratt Institute, 7. Artemisia Gentileschi in Venice: Facts and Suppositions - Davide Gasparotto, J Paul Getty Museum, 8. Giovanna Garzoni and Venetian Witchcraft: Still Lifes as Natural Enchantments - Sheila Barker, Medici Archive Project and University of Pennsylvania, 9. Caterina Tarabotti Unveiled - Georgios E. Markou, University of Cambridge, 10. Shining a Light on Giulia Lama's Painting Practice in the San Marziale Four Evangelists - Cleo Nisse, Columbia University, 11. Rosalba Carriera Unframed - Xavier F. Salomon, The Frick Collection, General Bibliography, Archival Abbreviations, Works Cited, Index.

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Author Information

Tracy E. Cooper is Professor of Art History at Temple University and on the Board of Directors of Save Venice, Inc., where she is director of the Women Artists in Venice research program. She is best known for Palladio’s Venice: Architecture and Society in a Renaissance Republic (Yale, 2006), winner of the Phyllis Goodhart Gordan Prize from the Renaissance Society of America.

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