We Were Witches

Author:   Ariel Gore
Publisher:   Feminist Press at The City University of New York
ISBN:  

9781558614338


Pages:   320
Publication Date:   19 October 2017
Format:   Paperback
Availability:   In stock   Availability explained
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We Were Witches


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Author:   Ariel Gore
Publisher:   Feminist Press at The City University of New York
Imprint:   Feminist Press at The City University of New York
ISBN:  

9781558614338


ISBN 10:   1558614338
Pages:   320
Publication Date:   19 October 2017
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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Reviews

Gore's magic-infused narrative. . . .is a moving account of a young writer and mother striving to claim her own agency and find her voice. --Publishers Weekly This book mimics the messy, discursive texture of memory--of life. . . . Inventive and affecting. --Kirkus Reviews A scathing indictment of a system that works again people who are poor and female as well as a piercing and wise look at one woman's struggle to overcome it. --Booklist Told with whimsy and dignity. . . . This memoirist's novel is a beguiling mash-up of feminist quotations, literary critique, real life predicaments, and plenty of magic. --The Riveter Gore tells her story with such verve and wit I missed my train stop reading it. --Lambda Literary Review Ariel. . . .calculates and acts impulsively and makes strange and strong choices. And we are right there with her. --Santa Fe Reporter A re-writing of every helpless princess fairy tale and a reclamation of every Scarlet Letter. . . .We Were Witches is an absolute must read. --Ms. magazine blog The voice of this book is striking. It's authoritative, incantatory, and yet also naive, in the sense that it lets the reader experience events with the immediacy the young protagonist does. --The Rumpus We Were Witches is a novel that reads more like a magic spell/memoir/memory/body...it is everything you didn't know you were allowed to want in a narrative. --Autostraddle Like a talisman, Gore's prose works its magic with authoritative subtlety. Reading it will leave you changed for the better. -- Signature Reads Ariel Gore's We Were Witches is one woman's body refusing to become property, refusing to be overwritten by law or traditions, one woman's body cutting open a hole in culture so that actual bodies might emerge. A triumphant body story. A singularly spectacular siren song. --Lidia Yuknavitch, author of The Small Backs of Children We Were Witches seizes the shame and hurt internalized by young women and turns it into magic art and poetry. Ariel Gore's writing is a diamond pentacle carved into a living heart, transforming singular experience into universal knowledge. --Susie Bright, author of Big Sex Little Death Forget Freytag's Pyramid (of Predictable Male Prose)--behold Gore's Upside Down Triangle (of Fierce Feminist Narrative)! Drawing from myth, fairy tale, the wisdom of third wave literary icons, and the singular experiences of a queer single mama artist trying to survive the nineties, We Were Witches is its own genre, in its own canon. It moves with punk rock grace and confidence, and I totally loved it. --Kate Schatz, author of Rad American Women A-Z We Were Witches is raw and truthful, painfully funny, inspiring of outrage, and alive with the wonder and magic of a feminist awakening. One single mom becoming woke, struggling, and triumphing on her own outsider terms, We Were Witches is a new feminist classic, penned by one the culture's strongest authors at her most experimental and personal. --Michelle Tea, author of Black Wave Ariel Gore's We Were Witches is both magical and punk rock--the way it takes traditional values and traditional story structure to task, the way Gore's protagonist, Ariel, uses witchy intelligence to resist a system totally against her. --Michelle Cruz Gonzales, author of The Spitboy Rule This book mimics the messy, discursive texture of memory--of life. . . . Inventive and affecting. --Kirkus Reviews Ariel Gore's We Were Witches is one woman's body refusing to become property, refusing to be overwritten by law or traditions, one woman's body cutting open a hole in culture so that actual bodies might emerge. A triumphant body story. A singularly spectacular siren song. --Lidia Yuknavitch, author of The Small Backs of Children We Were Witches seizes the shame and hurt internalized by young women and turns it into magic art and poetry. Ariel Gore's writing is a diamond pentacle carved into a living heart, transforming singular experience into universal knowledge. --Susie Bright, author of Big Sex Little Death Forget Freytag's Pyramid (of Predictable Male Prose)--behold Gore's Upside Down Triangle (of Fierce Feminist Narrative)! Drawing from myth, fairy tale, the wisdom of third wave literary icons, and the singular experiences of a queer single mama artist trying to survive the nineties, We Were Witchesis its own genre, in its own canon. It moves with punk rock grace and confidence, and I totally loved it. --Kate Schatz, author of Rad American Women A-Z We Were Witches is raw and truthful, painfully funny, inspiring of outrage, and alive with the wonder and magic of a feminist awakening. One single mom becoming woke, struggling, and triumphing on her own outsider terms, We Were Witches is a new feminist classic, penned by one the culture's strongest authors at her most experimental and personal. --Michelle Tea, author of Black Wave Ariel Gore's We Were Witches is both magical and punk rock--the way it takes traditional values and traditional story structure to task, the way Gore's protagonist, Ariel, uses witchy intelligence to resist a system totally against her. --Michelle Cruz Gonzales, author of The Spitboy Rule


Gore's magic-infused narrative. . . .is a moving account of a young writer and mother striving to claim her own agency and find her voice. --Publishers Weekly This book mimics the messy, discursive texture of memory--of life. . . . Inventive and affecting. --Kirkus Reviews A scathing indictment of a system that works again people who are poor and female as well as a piercing and wise look at one woman's struggle to overcome it. --Booklist Told with whimsy and dignity. . . . This memoirist's novel is a beguiling mash-up of feminist quotations, literary critique, real life predicaments, and plenty of magic. --The Riveter Gore tells her story with such verve and wit I missed my train stop reading it. --Lambda Literary Review A re-writing of every helpless princess fairy tale and a reclamation of every Scarlet Letter. . . .We Were Witches is an absolute must read. --Ms.magazine blog Ariel Gore's We Were Witches is one woman's body refusing to become property, refusing to be overwritten by law or traditions, one woman's body cutting open a hole in culture so that actual bodies might emerge. A triumphant body story. A singularly spectacular siren song. --Lidia Yuknavitch, author of The Small Backs of Children We Were Witches seizes the shame and hurt internalized by young women and turns it into magic art and poetry. Ariel Gore's writing is a diamond pentacle carved into a living heart, transforming singular experience into universal knowledge. --Susie Bright, author of Big Sex Little Death Forget Freytag's Pyramid (of Predictable Male Prose)--behold Gore's Upside Down Triangle (of Fierce Feminist Narrative)! Drawing from myth, fairy tale, the wisdom of third wave literary icons, and the singular experiences of a queer single mama artist trying to survive the nineties, We Were Witches is its own genre, in its own canon. It moves with punk rock grace and confidence, and I totally loved it. --Kate Schatz, author of Rad American Women A-Z We Were Witches is raw and truthful, painfully funny, inspiring of outrage, and alive with the wonder and magic of a feminist awakening. One single mom becoming woke, struggling, and triumphing on her own outsider terms, We Were Witches is a new feminist classic, penned by one the culture's strongest authors at her most experimental and personal. --Michelle Tea, author of Black Wave Ariel Gore's We Were Witches is both magical and punk rock--the way it takes traditional values and traditional story structure to task, the way Gore's protagonist, Ariel, uses witchy intelligence to resist a system totally against her. --Michelle Cruz Gonzales, author of The Spitboy Rule This book mimics the messy, discursive texture of memory--of life. . . . Inventive and affecting. --Kirkus Reviews Ariel Gore's We Were Witches is one woman's body refusing to become property, refusing to be overwritten by law or traditions, one woman's body cutting open a hole in culture so that actual bodies might emerge. A triumphant body story. A singularly spectacular siren song. --Lidia Yuknavitch, author of The Small Backs of Children We Were Witches seizes the shame and hurt internalized by young women and turns it into magic art and poetry. Ariel Gore's writing is a diamond pentacle carved into a living heart, transforming singular experience into universal knowledge. --Susie Bright, author of Big Sex Little Death Forget Freytag's Pyramid (of Predictable Male Prose)--behold Gore's Upside Down Triangle (of Fierce Feminist Narrative)! Drawing from myth, fairy tale, the wisdom of third wave literary icons, and the singular experiences of a queer single mama artist trying to survive the nineties, We Were Witchesis its own genre, in its own canon. It moves with punk rock grace and confidence, and I totally loved it. --Kate Schatz, author of Rad American Women A-Z We Were Witches is raw and truthful, painfully funny, inspiring of outrage, and alive with the wonder and magic of a feminist awakening. One single mom becoming woke, struggling, and triumphing on her own outsider terms, We Were Witches is a new feminist classic, penned by one the culture's strongest authors at her most experimental and personal. --Michelle Tea, author of Black Wave Ariel Gore's We Were Witches is both magical and punk rock--the way it takes traditional values and traditional story structure to task, the way Gore's protagonist, Ariel, uses witchy intelligence to resist a system totally against her. --Michelle Cruz Gonzales, author of The Spitboy Rule


Gore's magic-infused narrative. . . .is a moving account of a young writer and mother striving to claim her own agency and find her voice. --Publishers Weekly This book mimics the messy, discursive texture of memory--of life. . . . Inventive and affecting. --Kirkus Reviews A scathing indictment of a system that works again people who are poor and female as well as a piercing and wise look at one woman's struggle to overcome it. --Booklist Told with whimsy and dignity. . . . This memoirist's novel is a beguiling mash-up of feminist quotations, literary critique, real life predicaments, and plenty of magic. --The Riveter Gore tells her story with such verve and wit I missed my train stop reading it. --Lambda Literary Review Ariel. . . .calculates and acts impulsively and makes strange and strong choices. And we are right there with her. --Santa Fe Reporter A re-writing of every helpless princess fairy tale and a reclamation of every Scarlet Letter. . . .We Were Witches is an absolute must read. --Ms. magazine blog The voice of this book is striking. It's authoritative, incantatory, and yet also naive, in the sense that it lets the reader experience events with the immediacy the young protagonist does. --The Rumpus We Were Witches is a novel that reads more like a magic spell/memoir/memory/body...it is everything you didn't know you were allowed to want in a narrative. --Autostraddle Like a talisman, Gore's prose works its magic with authoritative subtlety. Reading it will leave you changed for the better. -- Signature Reads Ariel Gore's We Were Witches is one woman's body refusing to become property, refusing to be overwritten by law or traditions, one woman's body cutting open a hole in culture so that actual bodies might emerge. A triumphant body story. A singularly spectacular siren song. --Lidia Yuknavitch, author of The Small Backs of Children We Were Witches seizes the shame and hurt internalized by young women and turns it into magic art and poetry. Ariel Gore's writing is a diamond pentacle carved into a living heart, transforming singular experience into universal knowledge. --Susie Bright, author of Big Sex Little Death Forget Freytag's Pyramid (of Predictable Male Prose)--behold Gore's Upside Down Triangle (of Fierce Feminist Narrative)! Drawing from myth, fairy tale, the wisdom of third wave literary icons, and the singular experiences of a queer single mama artist trying to survive the nineties, We Were Witches is its own genre, in its own canon. It moves with punk rock grace and confidence, and I totally loved it. --Kate Schatz, author of Rad American Women A-Z We Were Witches is raw and truthful, painfully funny, inspiring of outrage, and alive with the wonder and magic of a feminist awakening. One single mom becoming woke, struggling, and triumphing on her own outsider terms, We Were Witches is a new feminist classic, penned by one the culture's strongest authors at her most experimental and personal. --Michelle Tea, author of Black Wave Ariel Gore's We Were Witches is both magical and punk rock--the way it takes traditional values and traditional story structure to task, the way Gore's protagonist, Ariel, uses witchy intelligence to resist a system totally against her. --Michelle Cruz Gonzales, author of The Spitboy Rule


If magic is one of the ways that the historically marginalized have found voice and power, then here is narrative at its most primal: communicating the story of the self, an intimate communication binding the reader and the writer--the craft of writing as a magical, alchemical tool. --CraftLiterary We Were Witches is compelling and alarming and sexy and hopeful and aggravating and terrifying and complicated and confident and uncertain and beautiful--just like life. --Esme Gore's magic-infused narrative. . . .is a moving account of a young writer and mother striving to claim her own agency and find her voice. --Publishers Weekly This book mimics the messy, discursive texture of memory--of life. . . . Inventive and affecting. --Kirkus Reviews A scathing indictment of a system that works again people who are poor and female as well as a piercing and wise look at one woman's struggle to overcome it. --Booklist Told with whimsy and dignity. . . . This memoirist's novel is a beguiling mash-up of feminist quotations, literary critique, real life predicaments, and plenty of magic. --The Riveter Gore tells her story with such verve and wit I missed my train stop reading it. --Lambda Literary Review Ariel. . . .calculates and acts impulsively and makes strange and strong choices. And we are right there with her. --Santa Fe Reporter A re-writing of every helpless princess fairy tale and a reclamation of every Scarlet Letter. . . .We Were Witches is an absolute must read. --Ms. magazine blog The voice of this book is striking. It's authoritative, incantatory, and yet also naive, in the sense that it lets the reader experience events with the immediacy the young protagonist does. --The Rumpus We Were Witches is a novel that reads more like a magic spell/memoir/memory/body...it is everything you didn't know you were allowed to want in a narrative. --Autostraddle Like a talisman, Gore's prose works its magic with authoritative subtlety. Reading it will leave you changed for the better. -- Signature Reads Ariel Gore's We Were Witches is one woman's body refusing to become property, refusing to be overwritten by law or traditions, one woman's body cutting open a hole in culture so that actual bodies might emerge. A triumphant body story. A singularly spectacular siren song. --Lidia Yuknavitch, author of The Small Backs of Children We Were Witches seizes the shame and hurt internalized by young women and turns it into magic art and poetry. Ariel Gore's writing is a diamond pentacle carved into a living heart, transforming singular experience into universal knowledge. --Susie Bright, author of Big Sex Little Death Forget Freytag's Pyramid (of Predictable Male Prose)--behold Gore's Upside Down Triangle (of Fierce Feminist Narrative)! Drawing from myth, fairy tale, the wisdom of third wave literary icons, and the singular experiences of a queer single mama artist trying to survive the nineties, We Were Witches is its own genre, in its own canon. It moves with punk rock grace and confidence, and I totally loved it. --Kate Schatz, author of Rad American Women A-Z We Were Witches is raw and truthful, painfully funny, inspiring of outrage, and alive with the wonder and magic of a feminist awakening. One single mom becoming woke, struggling, and triumphing on her own outsider terms, We Were Witches is a new feminist classic, penned by one the culture's strongest authors at her most experimental and personal. --Michelle Tea, author of Black Wave Ariel Gore's We Were Witches is both magical and punk rock--the way it takes traditional values and traditional story structure to task, the way Gore's protagonist, Ariel, uses witchy intelligence to resist a system totally against her. --Michelle Cruz Gonzales, author of The Spitboy Rule


Gore's magic-infused narrative. . . .is a moving account of a young writer and mother striving to claim her own agency and find her voice. --Publishers Weekly This book mimics the messy, discursive texture of memory--of life. . . . Inventive and affecting. --Kirkus Reviews A scathing indictment of a system that works again people who are poor and female as well as a piercing and wise look at one woman's struggle to overcome it. --Booklist Told with whimsy and dignity. . . . This memoirist's novel is a beguiling mash-up of feminist quotations, literary critique, real life predicaments, and plenty of magic. --The Riveter Gore tells her story with such verve and wit I missed my train stop reading it. --Lambda Literary Review Ariel. . . .calculates and acts impulsively and makes strange and strong choices. And we are right there with her. --Santa Fe Reporter A re-writing of every helpless princess fairy tale and a reclamation of every Scarlet Letter. . . .We Were Witches is an absolute must read. --Ms. magazine blog The voice of this book is striking. It's authoritative, incantatory, and yet also na ve, in the sense that it lets the reader experience events with the immediacy the young protagonist does. --The Rumpus We Were Witches is a novel that reads more like a magic spell/memoir/memory/body...it is everything you didn't know you were allowed to want in a narrative. --Autostraddle Like a talisman, Gore's prose works its magic with authoritative subtlety. Reading it will leave you changed for the better. -- Signature Reads Ariel Gore's We Were Witches is one woman's body refusing to become property, refusing to be overwritten by law or traditions, one woman's body cutting open a hole in culture so that actual bodies might emerge. A triumphant body story. A singularly spectacular siren song. --Lidia Yuknavitch, author of The Small Backs of Children We Were Witches seizes the shame and hurt internalized by young women and turns it into magic art and poetry. Ariel Gore's writing is a diamond pentacle carved into a living heart, transforming singular experience into universal knowledge. --Susie Bright, author of Big Sex Little Death Forget Freytag's Pyramid (of Predictable Male Prose)--behold Gore's Upside Down Triangle (of Fierce Feminist Narrative)! Drawing from myth, fairy tale, the wisdom of third wave literary icons, and the singular experiences of a queer single mama artist trying to survive the nineties, We Were Witches is its own genre, in its own canon. It moves with punk rock grace and confidence, and I totally loved it. --Kate Schatz, author of Rad American Women A-Z We Were Witches is raw and truthful, painfully funny, inspiring of outrage, and alive with the wonder and magic of a feminist awakening. One single mom becoming woke, struggling, and triumphing on her own outsider terms, We Were Witches is a new feminist classic, penned by one the culture's strongest authors at her most experimental and personal. --Michelle Tea, author of Black Wave Ariel Gore's We Were Witches is both magical and punk rock--the way it takes traditional values and traditional story structure to task, the way Gore's protagonist, Ariel, uses witchy intelligence to resist a system totally against her. --Michelle Cruz Gonzales, author of The Spitboy Rule


Gore's magic-infused narrative. . . .is a moving account of a young writer and mother striving to claim her own agency and find her voice. --Publishers Weekly This book mimics the messy, discursive texture of memory--of life. . . . Inventive and affecting. --Kirkus Reviews A scathing indictment of a system that works again people who are poor and female as well as a piercing and wise look at one woman's struggle to overcome it. --Booklist Told with whimsy and dignity. . . . This memoirist's novel is a beguiling mash-up of feminist quotations, literary critique, real life predicaments, and plenty of magic. --The Riveter Gore tells her story with such verve and wit I missed my train stop reading it. --Lambda Literary Review A re-writing of every helpless princess fairy tale and a reclamation of every Scarlet Letter. . . .We Were Witches is an absolute must read. --Ms.magazine blog The voice of this book is striking. It's authoritative, incantatory, and yet also naive, in the sense that it lets the reader experience events with the immediacy the young protagonist does. --The Rumpus We Were Witches is a novel that reads more like a magic spell/memoir/memory/body...it is everything you didn't know you were allowed to want in a narrative. --Autostraddle Ariel Gore's We Were Witches is one woman's body refusing to become property, refusing to be overwritten by law or traditions, one woman's body cutting open a hole in culture so that actual bodies might emerge. A triumphant body story. A singularly spectacular siren song. --Lidia Yuknavitch, author of The Small Backs of Children We Were Witches seizes the shame and hurt internalized by young women and turns it into magic art and poetry. Ariel Gore's writing is a diamond pentacle carved into a living heart, transforming singular experience into universal knowledge. --Susie Bright, author of Big Sex Little Death Forget Freytag's Pyramid (of Predictable Male Prose)--behold Gore's Upside Down Triangle (of Fierce Feminist Narrative)! Drawing from myth, fairy tale, the wisdom of third wave literary icons, and the singular experiences of a queer single mama artist trying to survive the nineties, We Were Witches is its own genre, in its own canon. It moves with punk rock grace and confidence, and I totally loved it. --Kate Schatz, author of Rad American Women A-Z We Were Witches is raw and truthful, painfully funny, inspiring of outrage, and alive with the wonder and magic of a feminist awakening. One single mom becoming woke, struggling, and triumphing on her own outsider terms, We Were Witches is a new feminist classic, penned by one the culture's strongest authors at her most experimental and personal. --Michelle Tea, author of Black Wave Ariel Gore's We Were Witches is both magical and punk rock--the way it takes traditional values and traditional story structure to task, the way Gore's protagonist, Ariel, uses witchy intelligence to resist a system totally against her. --Michelle Cruz Gonzales, author of The Spitboy Rule This book mimics the messy, discursive texture of memory--of life. . . . Inventive and affecting. --Kirkus Reviews Ariel Gore's We Were Witches is one woman's body refusing to become property, refusing to be overwritten by law or traditions, one woman's body cutting open a hole in culture so that actual bodies might emerge. A triumphant body story. A singularly spectacular siren song. --Lidia Yuknavitch, author of The Small Backs of Children We Were Witches seizes the shame and hurt internalized by young women and turns it into magic art and poetry. Ariel Gore's writing is a diamond pentacle carved into a living heart, transforming singular experience into universal knowledge. --Susie Bright, author of Big Sex Little Death Forget Freytag's Pyramid (of Predictable Male Prose)--behold Gore's Upside Down Triangle (of Fierce Feminist Narrative)! Drawing from myth, fairy tale, the wisdom of third wave literary icons, and the singular experiences of a queer single mama artist trying to survive the nineties, We Were Witchesis its own genre, in its own canon. It moves with punk rock grace and confidence, and I totally loved it. --Kate Schatz, author of Rad American Women A-Z We Were Witches is raw and truthful, painfully funny, inspiring of outrage, and alive with the wonder and magic of a feminist awakening. One single mom becoming woke, struggling, and triumphing on her own outsider terms, We Were Witches is a new feminist classic, penned by one the culture's strongest authors at her most experimental and personal. --Michelle Tea, author of Black Wave Ariel Gore's We Were Witches is both magical and punk rock--the way it takes traditional values and traditional story structure to task, the way Gore's protagonist, Ariel, uses witchy intelligence to resist a system totally against her. --Michelle Cruz Gonzales, author of The Spitboy Rule


Author Information

Ariel Gore is a journalist, memoirist, novelist, nonfiction author, and teacher. She is a graduate of Mills College and the University of California at Berkeley Graduate School of Journalism. She is the founding editor/publisher of Hip Mama, an Alternative Press Award-winning publication covering the culture and politics of motherhood. Her memoir, Atlas of the Human Heart, was a 2004 finalist for the Oregon Book Award. Her anthology Portland Queer: Tales of the Rose City won the LAMBDA Literary Award in 2010. She has taught at The Attic Institute in Portland, Oregon, at the University of New Mexico in Albuquerque, and at the Institute for American Indian Arts in Santa Fe. She currently teaches online at Ariel Gore's School for Wayward Writers.

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