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9781409462262

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Stephen Muir is a Senior Lecturer in Music at the University of Leeds, UK. His research focuses on the music of Russia and Eastern Europe (particularly Rimsky-Korsakov and DvoA(TM)ak), the critical editing of music, and Jewish liturgical music. Recent publications include a chapter on Rimsky-Korsakov's opera Pan Voyevoda in a collection of essays in honour of Julian Rushton (Boydell and Brewer, 2010), and studies of the musical source material for DvoA(TM)ak's opera Tvrde palice in preparation for a scholarly edition of the opera in Barenreiter's New DvoA(TM)ak Edition. Dr Anastasia Belina-Johnson is a Head of Classical Music at Leeds College of Music and a member of LUCOS (Leeds University Centre for Opera Studies). She is a musicologist, writer, presenter, and opera director. Her research interests include nineteenth-century music, opera, Wagner and his influences on Russian composers, modern operas written on Greek dramas, and twentieth-century British music. She is the author of Die tagliche Muhe ein Mensch zu sein (Wolke Verlag, 2013) and A Musician Divided: Andre Tchaikowsky in his own Words (Toccata Classics, 2013. She is currently working on the authorized biography of Ande Tchaikowsky and is co-editing with Derek Scott a volume of essays, The Business of Opera, for Ashgate. As opera director, Belina-Johnson focuses on rarely staged works; her productions include Taneyev's Oresteia (2009), Salieri's Les Danaides (2010), and Vaughan Williams' The Poisoned Kiss (2012). She is an International Artistic Director of Koncerty Urodzinowe Chopina (Chopin Music Festival), Warsaw. Richard Taruskin; Anastasia Belina-Johnson; Stephen Muir; Rebecca Mitchell; Vladimir Marchenkov; Jan Smaczny; Michael Ewans; Radoslaw Okulicz-Kozaryn; Magdalena Dziadek.

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